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Theaters The Stars of the White Nights 2018

 
14
December
Friday
Opera
Regarded as one of the greatest operas ever written, Mozart’s The Marriage of Figaro (Le nozze di Fi...Show more
Regarded as one of the greatest operas ever written, Mozart’s The Marriage of Figaro (Le nozze di Figaro) is a screwball comedy complete with disguises, surprises, and compromises. Figaro, the wily barber and part-time matchmaker, has finally fallen in love. But, like everything else in his life, it's complicated. On the eve of Figaro’s marriage to Susanna, his master, Count Almaviva, sets his wandering eye on the lovely bride-to-be. Servant and master go head to head, and even the Countess Rosina gets in on the action when she learns of her husband’s desires. But is she embroiled in a dangerous liaison of her own? From the opening notes to the final curtain, Mozart’s score delivers a tangled love story with great farce and satire. Full info
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Opera
Although best known for his oriental fantasy Scheherazade, Rimsky-Korsakov principally considered hi...Show more
Although best known for his oriental fantasy Scheherazade, Rimsky-Korsakov principally considered himself a composer of opera. In his autobiography Chronicle of My Musical Life, he wrote, “Snegurochka is not only my best opera, but perhaps the best contemporary opera in general”. It was not a view shared by the press. “The critics treated Snegurochka with scant sympathy… I ‘possessed talent’ as a symphonist, but not as an operatic composer.” Full info
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15
December
Saturday
Opera
Stravinsky's Le Rossignol (The Nightingale) is a "musical fairy tale" based on the story by Hans Chr...Show more
Stravinsky's Le Rossignol (The Nightingale) is a "musical fairy tale" based on the story by Hans Christian Andersen. It is an opera in three acts, scored for full orchestra with optional guitar and mandolin parts. According to Stravinsky, he chose a Hans Christian Andersen tale out of nostalgia for his boyhood. It is considered a short work for an opera--about forty-five minutes--and its three acts, as Eric White notes, are more like three scenes in a single-act opera. Full info
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Opera
The libretto of the opera is based on the jewel of ancient Russian literature - The Tale of Igor's C...Show more
The libretto of the opera is based on the jewel of ancient Russian literature - The Tale of Igor's Campaign. Text and music were being written for 18 years but were finished by Nikolay Rimsky-Korsakov and Alexander Glazunov after the composer’s death. The opera also includes famous The Polovetsian Dances – a bright vocal-choreographic scene that has become a legend. For the 1890 premiere of Prince Igor the spirit of the wild dances was conveyed by choreographer Leo Ivanov, a co-author of the famous ballet Swan Lake. Full info
Composer: Andrey Petrov
Choreography: Michel Fokine
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Opera
Although best known for his oriental fantasy Scheherazade, Rimsky-Korsakov principally considered hi...Show more
Although best known for his oriental fantasy Scheherazade, Rimsky-Korsakov principally considered himself a composer of opera. In his autobiography Chronicle of My Musical Life, he wrote, “Snegurochka is not only my best opera, but perhaps the best contemporary opera in general”. It was not a view shared by the press. “The critics treated Snegurochka with scant sympathy… I ‘possessed talent’ as a symphonist, but not as an operatic composer.” Full info
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16
December
Sunday
Opera
One of the most sunny pieces of the world opera literature. Full of easy humor, it recreates charmin...Show more
One of the most sunny pieces of the world opera literature. Full of easy humor, it recreates charming features of a cheerful fairy tale by Pushkin, whose plot underlies the libretto. However, behind the unpretentiousness of the plot there is significant sense reflecting Russian political reality of the end of the 19th century. Intrigues of sisters of the young tsarina result in that she is sent in exile to a faraway island with her son Gwidon, but there, with the help Swan Princesses, the rescued Gwidon becomes the governor of the fine magic city where they are found by tsar Saltan who did not know about the plot. He is so overjoyed that he forgives the sisters of the tsarina. Full info
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Opera
Musical director and conductor - Ara Karapetyan
Director - Lyudmila Naletova
Protag...Show more
Musical director and conductor - Ara Karapetyan Director - Lyudmila Naletova Protagonists: Cio-Cio-San - Irina Arkadieva, Irina Vaschenko, Olga Guryakova Pinkerton - Akhmed Agadi, Roman Muravitsky, Mikhail Urusov Suzuki - Natalia Vladimireskaya, Elena Maximova, Margarita Mamsirova, Ella Feiginova Sharpless - Anatoly Loshak, Evgeny Polikanin Full info
Composer: Giacomo Puccini
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18
December
Tuesday
Opera
Mussorgsky’s Boris Godunov is Russia’s national epic: a tale of splendour, suffering, and the all-to...Show more
Mussorgsky’s Boris Godunov is Russia’s national epic: a tale of splendour, suffering, and the all-too human price of power. It’s one of the supreme achievements in Russian opera. If the Mariinsky is Russia’s national opera company, Mussorgsky’s Boris Godunov – premiered at the Mariinsky in 1874 - is surely Russia’s national opera. Certainly, few operas look more penetratingly at the soul of a nation: scenes of pageantry are undercut by private soul-searching and state-sanctioned murder. The opera paints Russia’s artistic self-image. Full info
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Opera
Cavalleria rusticana is the short opera that has all the elements of a grand opera compressed into a...Show more
Cavalleria rusticana is the short opera that has all the elements of a grand opera compressed into a single highly dramatic time span. The story of love, lust, blood-feud and betrayal played out against the pageantry of the Easter celebrations in a Sicilian village delivers an emotional wallop because of the youthful vigour and musical wealth of its great score which includes the glorious Easter Hymn and the deeply moving Intermezzo. Mascagni was never to repeat his youthful success but this brief work is enough to ensure his immortality. Full info
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19
December
Wednesday
Opera
Baritone: Konstantin Shushakov
Bass: Vladimir Komovich
Conductor: Michal Klauza
Soprano: Anna Aglatova
Bass: Vladimir Komovich
Conductor: Michal Klauza
Soprano: Anna Aglatova
Tenor: Alexei Tatarintsev
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Opera
Levsha ("The Lefthander") is an opera (2013) by Rodion
Shchedrin based on a story ...Show more
Levsha ("The Lefthander") is an opera (2013) by Rodion Shchedrin based on a story by the 19th-century Russian writer Nikolai Leskov.World premiere of the concert performance on 26 June 2013 and world stage premiere on 27 July 2013. Twice Grammy Award winner ("The best essay in contemporary academic music" 1997 and "The best work of contemporary composer of classical music" 2009) Rodion Shchedrin is a master of orchestration, combinations of sound, orchestral colors and sudden effects.The opera was commissioned by the Mariinsky Theatre and composed by Rodion Shchedrin to Maestro Gergiev’s 60th birthday.The composer speaks about his work:Leskov’s tale is an incredibly rich literary source for an opera plot. The plot of the tale itself is a grotesque exaggeration. What is it? Is it a Biblical parable, a farcical fairground myth, or an epic tale? The characters are vivid, luscious and contrasting. The Russian Emperors Alexander I and Nicholas I, the Winter Palace, the British Court — a buffonade and a tragedy. Laughter through tears... But if you look a little deeper then you can clearly see the artistic contradistinctions of two kinds of life — the rational British and the irrational Russian.And, finally, there is the protagonist. The cross-eyed illiterate artisan with “golden hands” from Tula. He is a condensed representation, I believe, of the most important and the most typical features of the Russian national character — innate talent, wit, self irony, indifference to human life and a pernicious love of alcohol. And the eternal Russian theme of power and the common man. The lack of need for genius in one’s own country. Full info
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20
December
Thursday
Opera
Although best known for his oriental fantasy Scheherazade, Rimsky-Korsakov principally considered hi...Show more
Although best known for his oriental fantasy Scheherazade, Rimsky-Korsakov principally considered himself a composer of opera. In his autobiography Chronicle of My Musical Life, he wrote, “Snegurochka is not only my best opera, but perhaps the best contemporary opera in general”. It was not a view shared by the press. “The critics treated Snegurochka with scant sympathy… I ‘possessed talent’ as a symphonist, but not as an operatic composer.” Full info
Choreography: Galina Kaloshina
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22
December
Saturday
Opera
Le nozze di Figaro had its premiere in 1786 at the Burgtheater in Vienna. Lorenzo da Ponte – with wh...Show more
Le nozze di Figaro had its premiere in 1786 at the Burgtheater in Vienna. Lorenzo da Ponte – with whom Mozart later collaborated on Don Giovanni and Così fan tutte – created the libretto. It was based on Pierre Beaumarchais’ controversial play Le Mariage de Figaro, which was banned in Vienna due to its seditious content. David McVicar’s acclaimed production sets the action in a French chateau in 1830 on the eve of revolution, amplifying the opera’s undercurrents of class tension. The entire household is drawn into the notoriously complex plot, which covers all shades of human emotion: spirited playfulness, such as when Figaro sends Cherubino off to war in ‘Non più andrai’, is combined with heartfelt despair, such as the Countess’s grief at her husband’s infidelity in 'Dove sono i bei momenti'. But affection and fidelity prevail in this most warm-hearted of operas: the Count’s plea for forgiveness in the final act, ‘Contessa, perdono’, is one of the most moving moments in opera. Full info
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25
December
Tuesday
Conducted by Maestro Gergiev
Opera
MAN, MYTH, OR MONSTER? Mozart’s multifaceted portrait of an unrepentant Casanova has fascinated audi...Show more
MAN, MYTH, OR MONSTER? Mozart’s multifaceted portrait of an unrepentant Casanova has fascinated audiences since its 1787 premiere. To this day it endures as opera’s ultimate cautionary tale about the human cost of unbridled lust. Featuring varied, evocative, and absolutely glorious music from overture to epilogue, a dynamic set of distinctively drawn characters, and a shocking, unforgettable finale, “the Don” stands apart as Mozart’s boldest masterpiece. Full info
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Opera
Dashing Count Almaviva has lost his heart to the spunky Rosina, whose doddering guardian is determin...Show more
Dashing Count Almaviva has lost his heart to the spunky Rosina, whose doddering guardian is determined to marry her himself. It’s Figaro to the rescue, as the resourceful barber conjures up wacky schemes and strategies to unite the young lovers.A topnotch cast sails through the score’s bel canto glories, thrilling the audience as characters that are just as vivid today as when they first took the stage. Rossini’s razor-sharp musical wit glints through every scene of this delicious comedy, one of the most playful and popular in the entire operatic repertoire. Full info
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26
December
Wednesday
Opera
Baritone: Alexander Kasyanov
Bass: Vladimir Komovich
Composer: Andrei Petrov
Mezzo soprano: Yelena Novak
Soprano: Anna Nechaeva
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Opera
One of the most popular operas by Pyotr Tchaikovsky, The Queen of Spades, was composed in a very sho...Show more
One of the most popular operas by Pyotr Tchaikovsky, The Queen of Spades, was composed in a very short period of time and became a unique masterpiece reflecting its author’s preoccupation. Tchaikovsky accepted the commission to write an opera based on the short story by Alexander Pushkin in 1889. Herman, a poor officer, is desperately in love with Lisa, a heiress to the rich old Countess. One day he learns that the Countess knows the secret of the three winning cards. Herman becomes obsessed with obtaining the secret. He tries to find out the secret, however, the old lady dies of fright. The loss of hope drives Herman mad. Soon the ghost of the Countess appears and names the secret three cards: Three, Seven, Ace. The madman rushes to the casino. Passion overcomes reason: “What’s our life? A game!” The only gain of the miserable lover is death. Full info
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27
December
Thursday
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
Composer: Giuseppe Verdi
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The libretto of the opera is based on the jewel of ancient Russian literature - The Tale of Igor's C...Show more
The libretto of the opera is based on the jewel of ancient Russian literature - The Tale of Igor's Campaign. Text and music were being written for 18 years but were finished by Nikolay Rimsky-Korsakov and Alexander Glazunov after the composer’s death. The opera also includes famous The Polovetsian Dances – a bright vocal-choreographic scene that has become a legend. For the 1890 premiere of Prince Igor the spirit of the wild dances was conveyed by choreographer Leo Ivanov, a co-author of the famous ballet Swan Lake. Full info
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30
December
Sunday
31
December
Monday
2
January
Wednesday
2019

The schedule (playbill) for Mariinsky Theater on 2 January 2019, Wednesday is not yet announced.

If you are interested in this schedule, just put your name and e-mail in the form below.
As soon as the schedule is announced, we will send you a notification by e-mail.
 
3
January
Thursday
2019

The schedule (playbill) for Mariinsky Theater on 3 January 2019, Thursday is not yet announced.

If you are interested in this schedule, just put your name and e-mail in the form below.
As soon as the schedule is announced, we will send you a notification by e-mail.