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Theaters The Stars of the White Nights 2018

 
22
March
Thursday
Opera
The libretto of the opera is based on the jewel of ancient Russian literature - The Tale of Igor's C...Show more
The libretto of the opera is based on the jewel of ancient Russian literature - The Tale of Igor's Campaign. Text and music were being written for 18 years but were finished by Nikolay Rimsky-Korsakov and Alexander Glazunov after the composer’s death. The opera also includes famous The Polovetsian Dances – a bright vocal-choreographic scene that has become a legend. For the 1890 premiere of Prince Igor the spirit of the wild dances was conveyed by choreographer Leo Ivanov, a co-author of the famous ballet Swan Lake. Full info
Composer: Andrey Petrov
Choreography: Michel Fokine
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Opera
Baritone: Daniel Okulitch
Baritone: Morgan Pearse
Bass-baritone: Andreas Wolf
Bass-baritone: Nikolai Kazansky
Soprano: Henriette Bonde-Hansen
Soprano: Lauren Snouffer
Soprano: Sophie Junker
Tenor: Alexey Neklyudov
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25
March
Sunday
Opera
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally transla...Show more
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally translated, “thus do they all” suggests that women are easily seduced and quick to fly from the arms of one love to another. The opera was a great success in its day, but for most of the nineteenth through the first half of the twentieth century, its subject matter was deemed too racy for public consumption. Since that time, it has returned to the standard repertoire and, according to recent tabulations, is the eleventh most popular opera being performed today. Full info
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Opera
MAN, MYTH, OR MONSTER? Mozart’s multifaceted portrait of an unrepentant Casanova has fascinated audi...Show more
MAN, MYTH, OR MONSTER? Mozart’s multifaceted portrait of an unrepentant Casanova has fascinated audiences since its 1787 premiere. To this day it endures as opera’s ultimate cautionary tale about the human cost of unbridled lust. Featuring varied, evocative, and absolutely glorious music from overture to epilogue, a dynamic set of distinctively drawn characters, and a shocking, unforgettable finale, “the Don” stands apart as Mozart’s boldest masterpiece. Full info
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Opera
Il Trovatore (The Troubadour) was one of Verdi’s best-loved operas even during the composer’s lifeti...Show more
Il Trovatore (The Troubadour) was one of Verdi’s best-loved operas even during the composer’s lifetime. The opera received a rapturous reception when it was performed for the first time on 19 January 1853 at the Teatro Apollo in Rome and Guiseppe Verdi himself called it his most popular work. Together with La Traviata and Rigoletto the opera is still one of Verdi’s most-performed and popular operas worldwide. The plot is set in the gloomy atmosphere of 15th century Spain and tells the romantic love story of Leonora and her troubadour Manrico. An opera full of love and hate, heroism and revenge. Full info
Composer: Giuseppe Verdi
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26
March
Monday
Opera
Le nozze di Figaro had its premiere in 1786 at the Burgtheater in Vienna. Lorenzo da Ponte – with wh...Show more
Le nozze di Figaro had its premiere in 1786 at the Burgtheater in Vienna. Lorenzo da Ponte – with whom Mozart later collaborated on Don Giovanni and Così fan tutte – created the libretto. It was based on Pierre Beaumarchais’ controversial play Le Mariage de Figaro, which was banned in Vienna due to its seditious content. David McVicar’s acclaimed production sets the action in a French chateau in 1830 on the eve of revolution, amplifying the opera’s undercurrents of class tension. The entire household is drawn into the notoriously complex plot, which covers all shades of human emotion: spirited playfulness, such as when Figaro sends Cherubino off to war in ‘Non più andrai’, is combined with heartfelt despair, such as the Countess’s grief at her husband’s infidelity in 'Dove sono i bei momenti'. But affection and fidelity prevail in this most warm-hearted of operas: the Count’s plea for forgiveness in the final act, ‘Contessa, perdono’, is one of the most moving moments in opera. Full info
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Opera
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed...Show more
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed with big tunes, dances and a heart-stopping duel. As with his ballets, Tchaikovsky brings many symphonic elements to the music, plush orchestrations and highly melodic arias. Onegin is a uniquely Russian opera with a universality that has made it globally popular. None of the characters are easy to associate with and yet the events and their actions ring horribly true. Full info
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27
March
Tuesday
Opera
Gounod's Faust, once one of the most famous and most performed operas. Based on Goethe's dramatic po...Show more
Gounod's Faust, once one of the most famous and most performed operas. Based on Goethe's dramatic poem, it's a tale of romance, temptation and tragedy, and the clash between religion and satanic powers. Full info
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Opera
One of the most popular operas by Pyotr Tchaikovsky, The Queen of Spades, was composed in a very sho...Show more
One of the most popular operas by Pyotr Tchaikovsky, The Queen of Spades, was composed in a very short period of time and became a unique masterpiece reflecting its author’s preoccupation. Tchaikovsky accepted the commission to write an opera based on the short story by Alexander Pushkin in 1889. Herman, a poor officer, is desperately in love with Lisa, a heiress to the rich old Countess. One day he learns that the Countess knows the secret of the three winning cards. Herman becomes obsessed with obtaining the secret. He tries to find out the secret, however, the old lady dies of fright. The loss of hope drives Herman mad. Soon the ghost of the Countess appears and names the secret three cards: Three, Seven, Ace. The madman rushes to the casino. Passion overcomes reason: “What’s our life? A game!” The only gain of the miserable lover is death. Full info
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30
March
Friday
Opera
Although best known for his oriental fantasy Scheherazade, Rimsky-Korsakov principally considered hi...Show more
Although best known for his oriental fantasy Scheherazade, Rimsky-Korsakov principally considered himself a composer of opera. In his autobiography Chronicle of My Musical Life, he wrote, “Snegurochka is not only my best opera, but perhaps the best contemporary opera in general”. It was not a view shared by the press. “The critics treated Snegurochka with scant sympathy… I ‘possessed talent’ as a symphonist, but not as an operatic composer.” Full info
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Opera
Baritone: Anton Vinogradov
Bass: Ruslan Rozyev
Choir: Children Choir of Bolshoy Theatre
Conductor: Valery Polyansky
Composer: Giacomo Puccini
Tenor: Oleg Polshkov
Tenor: Sergey Drobyshevsky
Tenor: Sergey Toptygin
Tenor: Yevgeny Liberman
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31
March
Saturday
Opera
Baritone: Andrei Kimach
Bass: Gleb Nikolsky
Bass: Vladimir Komovich
Bass-baritone: Nikolai Kazansky
Soprano: Olga Seliverstova
Tenor: Vadim Babichuk
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Opera
Stravinsky's Le Rossignol (The Nightingale) is a "musical fairy tale" based on the story by Hans Chr...Show more
Stravinsky's Le Rossignol (The Nightingale) is a "musical fairy tale" based on the story by Hans Christian Andersen. It is an opera in three acts, scored for full orchestra with optional guitar and mandolin parts. According to Stravinsky, he chose a Hans Christian Andersen tale out of nostalgia for his boyhood. It is considered a short work for an opera--about forty-five minutes--and its three acts, as Eric White notes, are more like three scenes in a single-act opera. Full info
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Opera
The opera Manon Lescaut is considered to be one of Giacomo Puccini’s finest works.

Or...Show more
The opera Manon Lescaut is considered to be one of Giacomo Puccini’s finest works. Originally staged in Turin in 1893, it was the composer’s first undoubted triumph. The libretto is based on the novel L’histoire du Chevalier des Grieux et de Manon Lescaut by the Abbй Prйvost, one of the first ever psychological novels, which was very popular throughout Europe. The creators of the Mikhailovsky Theatre production, director Jьrgen Flimm and designer George Tsypin, have kept the action in Paris but have changed the period, setting the events in the early twentieth century. In their vivid adaptation, the heroine is a budding movie star and her lover is also an actor, whilst her wealthy admirer is a Hollywood producer. The set design for the show resembles film noir in style with its characteristic lighting contrasts and dramatic shadows. The striking costumes are very much in keeping with the cinematography of the 1930s and 1940s. The emotional content is unchanged, succinctly described by the director as: “One woman, two men — catastrophic consequences.” Full info
Mezzo soprano: Anna Buslidze
Composer: Giacomo Puccini
Soprano: Maria Litke
Tenor: Boris Stepanov
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3
April
Tuesday
Opera
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally transla...Show more
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally translated, “thus do they all” suggests that women are easily seduced and quick to fly from the arms of one love to another. The opera was a great success in its day, but for most of the nineteenth through the first half of the twentieth century, its subject matter was deemed too racy for public consumption. Since that time, it has returned to the standard repertoire and, according to recent tabulations, is the eleventh most popular opera being performed today. Full info
Baritone: Alexander Miminoshvili
Bass-baritone: Nikolai Kazansky
Conductor: Tugan Sokhiev
Soprano: Anna Aglatova
Bass-baritone: Nikolai Kazansky
Conductor: Tugan Sokhiev
Soprano: Anna Aglatova
Soprano: Olga Seliverstova
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4
April
Wednesday
Opera
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally transla...Show more
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally translated, “thus do they all” suggests that women are easily seduced and quick to fly from the arms of one love to another. The opera was a great success in its day, but for most of the nineteenth through the first half of the twentieth century, its subject matter was deemed too racy for public consumption. Since that time, it has returned to the standard repertoire and, according to recent tabulations, is the eleventh most popular opera being performed today. Full info
Baritone: Ilya Kutyukhin
Bass-baritone: Nikolai Kazansky
Conductor: Tugan Sokhiev
Mezzo soprano: Julia Mazurova
Bass-baritone: Nikolai Kazansky
Conductor: Tugan Sokhiev
Mezzo soprano: Julia Mazurova
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5
April
Thursday
Opera
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally transla...Show more
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally translated, “thus do they all” suggests that women are easily seduced and quick to fly from the arms of one love to another. The opera was a great success in its day, but for most of the nineteenth through the first half of the twentieth century, its subject matter was deemed too racy for public consumption. Since that time, it has returned to the standard repertoire and, according to recent tabulations, is the eleventh most popular opera being performed today. Full info
Baritone: Alexander Miminoshvili
Bass-baritone: Nikolai Kazansky
Conductor: Tugan Sokhiev
Soprano: Anna Aglatova
Bass-baritone: Nikolai Kazansky
Conductor: Tugan Sokhiev
Soprano: Anna Aglatova
Soprano: Olga Seliverstova
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Opera
Levsha ("The Lefthander") is an opera (2013) by Rodion
Shchedrin based on a story ...Show more
Levsha ("The Lefthander") is an opera (2013) by Rodion Shchedrin based on a story by the 19th-century Russian writer Nikolai Leskov.World premiere of the concert performance on 26 June 2013 and world stage premiere on 27 July 2013. Twice Grammy Award winner ("The best essay in contemporary academic music" 1997 and "The best work of contemporary composer of classical music" 2009) Rodion Shchedrin is a master of orchestration, combinations of sound, orchestral colors and sudden effects.The opera was commissioned by the Mariinsky Theatre and composed by Rodion Shchedrin to Maestro Gergiev’s 60th birthday.The composer speaks about his work:Leskov’s tale is an incredibly rich literary source for an opera plot. The plot of the tale itself is a grotesque exaggeration. What is it? Is it a Biblical parable, a farcical fairground myth, or an epic tale? The characters are vivid, luscious and contrasting. The Russian Emperors Alexander I and Nicholas I, the Winter Palace, the British Court — a buffonade and a tragedy. Laughter through tears... But if you look a little deeper then you can clearly see the artistic contradistinctions of two kinds of life — the rational British and the irrational Russian.And, finally, there is the protagonist. The cross-eyed illiterate artisan with “golden hands” from Tula. He is a condensed representation, I believe, of the most important and the most typical features of the Russian national character — innate talent, wit, self irony, indifference to human life and a pernicious love of alcohol. And the eternal Russian theme of power and the common man. The lack of need for genius in one’s own country. Full info
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6
April
Friday
Opera
Iolanta – Pyotr Ilyich Tchaikovsky's last opera – was written two years before the composer’s de...Show more
Iolanta – Pyotr Ilyich Tchaikovsky's last opera – was written two years before the composer’s death. In 1884 Tchaikovsky read the one-act play King Rene’s Daughter by the Danish dramatist Henrik Hertz. The poetic story of Iolanta who has been blind from birth and is cured of her ailment through love inspired Tchaikovsky, who was looking for a subject for a short, lyrical opera. The eternal gloom in which Iolanta lives peacefully becomes a symbol of spiritual blindness and the source of deep pain for those close to her. Love ignites her heart’s desire to see the world and inspires her courage to undergo the pain that will enable her to see. At the request of the composer, his brother Modest Ilyich Tchaikovsky wrote an operatic libretto after the plot of King Rene’s Daughter. The opera was written between July and December 1891, and the premiere took place at the Mariinsky Theatre on 6 December 1892. It is believed that the composer’s philosophical intentions are reflected in the plot of the opera, as he had a keen interest in the philosophy of Spinoza. Whether that is the case or not Iolanta stands apart from Tchaikovsky’s other works because of its unusual "otherworldly" plot and the touching, light and serene music. Full info
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Opera
Mussorgsky’s Boris Godunov is Russia’s national epic: a tale of splendour, suffering, and the all-to...Show more
Mussorgsky’s Boris Godunov is Russia’s national epic: a tale of splendour, suffering, and the all-too human price of power. It’s one of the supreme achievements in Russian opera. If the Mariinsky is Russia’s national opera company, Mussorgsky’s Boris Godunov – premiered at the Mariinsky in 1874 - is surely Russia’s national opera. Certainly, few operas look more penetratingly at the soul of a nation: scenes of pageantry are undercut by private soul-searching and state-sanctioned murder. The opera paints Russia’s artistic self-image. Full info
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8
April
Sunday
Opera
Baritone: Alexander Kasyanov
Bass: Vladimir Komovich
Conductor: Anton Grishanin
Composer: Andrei Petrov
Mezzo soprano: Julia Mazurova
Mezzo soprano: Yelena Novak
Tenor: Taras Prisyazhnyuk
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18:00
6:00 PM
Premiere
Opera
Regarded as one of the greatest operas ever written, Mozart’s The Marriage of Figaro (Le nozze di Fi...Show more
Regarded as one of the greatest operas ever written, Mozart’s The Marriage of Figaro (Le nozze di Figaro) is a screwball comedy complete with disguises, surprises, and compromises. Figaro, the wily barber and part-time matchmaker, has finally fallen in love. But, like everything else in his life, it's complicated. On the eve of Figaro’s marriage to Susanna, his master, Count Almaviva, sets his wandering eye on the lovely bride-to-be. Servant and master go head to head, and even the Countess Rosina gets in on the action when she learns of her husband’s desires. But is she embroiled in a dangerous liaison of her own? From the opening notes to the final curtain, Mozart’s score delivers a tangled love story with great farce and satire. Full info
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Opera
The libretto of the opera is based on the jewel of ancient Russian literature - The Tale of Igor's C...Show more
The libretto of the opera is based on the jewel of ancient Russian literature - The Tale of Igor's Campaign. Text and music were being written for 18 years but were finished by Nikolay Rimsky-Korsakov and Alexander Glazunov after the composer’s death. The opera also includes famous The Polovetsian Dances – a bright vocal-choreographic scene that has become a legend. For the 1890 premiere of Prince Igor the spirit of the wild dances was conveyed by choreographer Leo Ivanov, a co-author of the famous ballet Swan Lake. Full info
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9
April
Monday
Opera
Libretto- L. Illica, V. Sardu and G. Jakoza after the play of the same name by V.Sardou
Cond...Show more
Libretto- L. Illica, V. Sardu and G. Jakoza after the play of the same name by V.Sardou Conductor-co-producer - Ara Karapetyan Director - Lyudmila Naletova Design - Natalia Stepanova Full info
Composer: Giacomo Puccini
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11
April
Wednesday
Opera
One of the most popular operas by Pyotr Tchaikovsky, The Queen of Spades, was composed in a very sho...Show more
One of the most popular operas by Pyotr Tchaikovsky, The Queen of Spades, was composed in a very short period of time and became a unique masterpiece reflecting its author’s preoccupation. Tchaikovsky accepted the commission to write an opera based on the short story by Alexander Pushkin in 1889. Herman, a poor officer, is desperately in love with Lisa, a heiress to the rich old Countess. One day he learns that the Countess knows the secret of the three winning cards. Herman becomes obsessed with obtaining the secret. He tries to find out the secret, however, the old lady dies of fright. The loss of hope drives Herman mad. Soon the ghost of the Countess appears and names the secret three cards: Three, Seven, Ace. The madman rushes to the casino. Passion overcomes reason: “What’s our life? A game!” The only gain of the miserable lover is death. Full info
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