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Theaters The Stars of the White Nights 2018

 
6
January
Saturday
2018
Opera
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
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Opera
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
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7
January
Sunday
2018
Opera
One of the most sunny pieces of the world opera literature. Full of easy humor, it recreates charmin...Show more
One of the most sunny pieces of the world opera literature. Full of easy humor, it recreates charming features of a cheerful fairy tale by Pushkin, whose plot underlies the libretto. However, behind the unpretentiousness of the plot there is significant sense reflecting Russian political reality of the end of the 19th century. Intrigues of sisters of the young tsarina result in that she is sent in exile to a faraway island with her son Gwidon, but there, with the help Swan Princesses, the rescued Gwidon becomes the governor of the fine magic city where they are found by tsar Saltan who did not know about the plot. He is so overjoyed that he forgives the sisters of the tsarina. Full info
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Opera
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
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Opera
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
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8
January
Monday
2018
Opera
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed...Show more
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed with big tunes, dances and a heart-stopping duel. As with his ballets, Tchaikovsky brings many symphonic elements to the music, plush orchestrations and highly melodic arias. Onegin is a uniquely Russian opera with a universality that has made it globally popular. None of the characters are easy to associate with and yet the events and their actions ring horribly true. Full info
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9
January
Tuesday
2018
Opera
Verdi’s dark-hued Macbeth examines the corrosive consequences of tyranny. At the urging of his schem...Show more
Verdi’s dark-hued Macbeth examines the corrosive consequences of tyranny. At the urging of his scheming wife, Macbeth murders the king to claim the crown. His desperate and deadly reign of terror devastates his country and hastens his doom in this masterwork based upon Shakespeare’s classic thriller. Full info
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11
January
Thursday
2018
Opera
Baritone: Alexander Utkin
Baritone: Konstantin Shushakov
Conductor: Michal Klauza
Soprano: Olga Seliverstova
Baritone: Konstantin Shushakov
Conductor: Michal Klauza
Soprano: Olga Seliverstova
Tenor: Alexei Tatarintsev
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13
January
Saturday
2018
Opera
Baritone: Alexander Utkin
Baritone: Konstantin Shushakov
Conductor: Michal Klauza
Soprano: Olga Seliverstova
Baritone: Konstantin Shushakov
Conductor: Michal Klauza
Soprano: Olga Seliverstova
Tenor: Alexei Tatarintsev
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18:00
6:00 PM
Premiere
Opera
Regarded as one of the greatest operas ever written, Mozart’s The Marriage of Figaro (Le nozze di Fi...Show more
Regarded as one of the greatest operas ever written, Mozart’s The Marriage of Figaro (Le nozze di Figaro) is a screwball comedy complete with disguises, surprises, and compromises. Figaro, the wily barber and part-time matchmaker, has finally fallen in love. But, like everything else in his life, it's complicated. On the eve of Figaro’s marriage to Susanna, his master, Count Almaviva, sets his wandering eye on the lovely bride-to-be. Servant and master go head to head, and even the Countess Rosina gets in on the action when she learns of her husband’s desires. But is she embroiled in a dangerous liaison of her own? From the opening notes to the final curtain, Mozart’s score delivers a tangled love story with great farce and satire. Full info
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14
January
Sunday
2018
Opera
Stravinsky's Le Rossignol (The Nightingale) is a "musical fairy tale" based on the story by Hans Chr...Show more
Stravinsky's Le Rossignol (The Nightingale) is a "musical fairy tale" based on the story by Hans Christian Andersen. It is an opera in three acts, scored for full orchestra with optional guitar and mandolin parts. According to Stravinsky, he chose a Hans Christian Andersen tale out of nostalgia for his boyhood. It is considered a short work for an opera--about forty-five minutes--and its three acts, as Eric White notes, are more like three scenes in a single-act opera. Full info
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Opera
The libretto of the opera is based on the jewel of ancient Russian literature - The Tale of Igor's C...Show more
The libretto of the opera is based on the jewel of ancient Russian literature - The Tale of Igor's Campaign. Text and music were being written for 18 years but were finished by Nikolay Rimsky-Korsakov and Alexander Glazunov after the composer’s death. The opera also includes famous The Polovetsian Dances – a bright vocal-choreographic scene that has become a legend. For the 1890 premiere of Prince Igor the spirit of the wild dances was conveyed by choreographer Leo Ivanov, a co-author of the famous ballet Swan Lake. Full info
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16
January
Tuesday
2018
Opera
This epic, five-act work was Verdi’s first written specifically for the Paris Opéra, and in it...Show more
This epic, five-act work was Verdi’s first written specifically for the Paris Opéra, and in it he fully embraces the elaborate style and traditions of the grand opera genre, while remaining true to his own inimitable style. The result is thrillingly ambitious, including impressive choruses, passionate duets and spectacular showpiece arias for the four principals. Full info
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19:00
7:00 PM
Premiere
Opera
The main musical event this autumn will be the return of Giacomo Puccini’s La Bohème to the Mik...Show more
The main musical event this autumn will be the return of Giacomo Puccini’s La Bohème to the Mikhailovsky Theatre. The opera, which stands somewhat apart in the world repertoire, contains no affectation, complicated plots or pathos — artistic convention almost approaches reality here. The simple and poignant love story, woven into the colourful fabric of bohemian Paris, will be staged by world-renowned opera director Robert Carsen. Full info
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17
January
Wednesday
2018
Opera
The death of French actress Adrienne Lecouvreur inspired many plays and operas, of which Francesco C...Show more
The death of French actress Adrienne Lecouvreur inspired many plays and operas, of which Francesco Cilea’s Adriana Lecouvreur is the finest and most enduring. The opera would become Cilea’s greatest success, renowned particularly for his heroine’s arias ‘Io son l’umile ancilla’ in Act I and ‘Poveri fiori’ in Act IV – though Cilea’s atmospheric and elegant score offers much more besides, with Maurizio’s aria ‘La dolcissima effigie sorridente’, the Act III ballet and Adriana’s intense spoken recitation at the end of that act particular highlights. Full info
Composer: Francesco Cilea
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18
January
Thursday
2018
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
Bass: Goderdzi Janelidze
Bass: Vladimir Komovich
Composer: Giuseppe Verdi
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Opera
The death of French actress Adrienne Lecouvreur inspired many plays and operas, of which Francesco C...Show more
The death of French actress Adrienne Lecouvreur inspired many plays and operas, of which Francesco Cilea’s Adriana Lecouvreur is the finest and most enduring. The opera would become Cilea’s greatest success, renowned particularly for his heroine’s arias ‘Io son l’umile ancilla’ in Act I and ‘Poveri fiori’ in Act IV – though Cilea’s atmospheric and elegant score offers much more besides, with Maurizio’s aria ‘La dolcissima effigie sorridente’, the Act III ballet and Adriana’s intense spoken recitation at the end of that act particular highlights. Full info
Composer: Francesco Cilea
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19
January
Friday
2018
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
Baritone: Elchin Azizov
Bass: Vladimir Komovich
Conductor: Tugan Sokhiev
Composer: Giuseppe Verdi
Mezzo soprano: Yelena Novak
Soprano: Dinara Alieva
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Opera
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed...Show more
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed with big tunes, dances and a heart-stopping duel. As with his ballets, Tchaikovsky brings many symphonic elements to the music, plush orchestrations and highly melodic arias. Onegin is a uniquely Russian opera with a universality that has made it globally popular. None of the characters are easy to associate with and yet the events and their actions ring horribly true. Full info
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20
January
Saturday
2018
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
Bass: Goderdzi Janelidze
Bass: Vladimir Komovich
Composer: Giuseppe Verdi
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21
January
Sunday
2018
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
Baritone: Elchin Azizov
Bass: Vladimir Komovich
Conductor: Tugan Sokhiev
Composer: Giuseppe Verdi
Mezzo soprano: Yelena Novak
Soprano: Dinara Alieva
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Opera
No man can resist Carmen’s gypsy charms, but when she’s ready to move on, watch out! A riveting dram...Show more
No man can resist Carmen’s gypsy charms, but when she’s ready to move on, watch out! A riveting drama of love and jealousy, filled with famously alluring melodies and captivating dances, Carmen is one of the world’s most popular operas. With dazzling bursts of color, a thrilling production brings the sights and sounds of Seville to life, from the dusty town center to the clamor of the bullring. Bizet’s immortal score overflows with one delight after another, a music lover’s hit parade of opera’s most intoxicating melodies. Full info
Composer: Georges Bizet
Choreography: Galina Kaloshina
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Opera
No man can resist Carmen’s gypsy charms, but when she’s ready to move on, watch out! A riveting dram...Show more
No man can resist Carmen’s gypsy charms, but when she’s ready to move on, watch out! A riveting drama of love and jealousy, filled with famously alluring melodies and captivating dances, Carmen is one of the world’s most popular operas. With dazzling bursts of color, a thrilling production brings the sights and sounds of Seville to life, from the dusty town center to the clamor of the bullring. Bizet’s immortal score overflows with one delight after another, a music lover’s hit parade of opera’s most intoxicating melodies. Full info
Composer: Georges Bizet
Choreography: Galina Kaloshina
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Opera
Iolanta – Pyotr Ilyich Tchaikovsky's last opera – was written two years before the composer’s de...Show more
Iolanta – Pyotr Ilyich Tchaikovsky's last opera – was written two years before the composer’s death. In 1884 Tchaikovsky read the one-act play King Rene’s Daughter by the Danish dramatist Henrik Hertz. The poetic story of Iolanta who has been blind from birth and is cured of her ailment through love inspired Tchaikovsky, who was looking for a subject for a short, lyrical opera. The eternal gloom in which Iolanta lives peacefully becomes a symbol of spiritual blindness and the source of deep pain for those close to her. Love ignites her heart’s desire to see the world and inspires her courage to undergo the pain that will enable her to see. At the request of the composer, his brother Modest Ilyich Tchaikovsky wrote an operatic libretto after the plot of King Rene’s Daughter. The opera was written between July and December 1891, and the premiere took place at the Mariinsky Theatre on 6 December 1892. It is believed that the composer’s philosophical intentions are reflected in the plot of the opera, as he had a keen interest in the philosophy of Spinoza. Whether that is the case or not Iolanta stands apart from Tchaikovsky’s other works because of its unusual "otherworldly" plot and the touching, light and serene music. Full info
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23
January
Tuesday
2018
Opera
Mussorgsky’s Boris Godunov is Russia’s national epic: a tale of splendour, suffering, and the all-to...Show more
Mussorgsky’s Boris Godunov is Russia’s national epic: a tale of splendour, suffering, and the all-too human price of power. It’s one of the supreme achievements in Russian opera. If the Mariinsky is Russia’s national opera company, Mussorgsky’s Boris Godunov – premiered at the Mariinsky in 1874 - is surely Russia’s national opera. Certainly, few operas look more penetratingly at the soul of a nation: scenes of pageantry are undercut by private soul-searching and state-sanctioned murder. The opera paints Russia’s artistic self-image. Full info
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24
January
Wednesday
2018
Opera
Bass: Vladimir Komovich
Conductor: Anton Grishanin
Soprano: Ainhoa Arteta
Composer: Giacomo Puccini
Conductor: Anton Grishanin
Soprano: Ainhoa Arteta
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Opera
Le nozze di Figaro had its premiere in 1786 at the Burgtheater in Vienna. Lorenzo da Ponte – with wh...Show more
Le nozze di Figaro had its premiere in 1786 at the Burgtheater in Vienna. Lorenzo da Ponte – with whom Mozart later collaborated on Don Giovanni and Così fan tutte – created the libretto. It was based on Pierre Beaumarchais’ controversial play Le Mariage de Figaro, which was banned in Vienna due to its seditious content. David McVicar’s acclaimed production sets the action in a French chateau in 1830 on the eve of revolution, amplifying the opera’s undercurrents of class tension. The entire household is drawn into the notoriously complex plot, which covers all shades of human emotion: spirited playfulness, such as when Figaro sends Cherubino off to war in ‘Non più andrai’, is combined with heartfelt despair, such as the Countess’s grief at her husband’s infidelity in 'Dove sono i bei momenti'. But affection and fidelity prevail in this most warm-hearted of operas: the Count’s plea for forgiveness in the final act, ‘Contessa, perdono’, is one of the most moving moments in opera. Full info
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This grandest of grand operas features an epic backdrop for what is in essence an intimate love stor...Show more
This grandest of grand operas features an epic backdrop for what is in essence an intimate love story. Set in ancient Egypt and packed with magnificent choruses, complex ensembles, and elaborate ballets, Aida never loses sight of its three protagonists: Amneris, the proud daughter of the pharaoh; her slave, Aida, who is the princess of the rival kingdom of Ethiopia; and Radamès, the Egyptian warrior they both love. Few operas have matched Aida in its exploration of the conflict of private emotion and public duty, and perhaps no other has remained to the present day so unanimously appreciated by audiences and critics alike. Full info
Composer: Giuseppe Verdi
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25
January
Thursday
2018
World Opera Star Anna Netrebko
Opera
Baritone: Elchin Azizov
Bass: Vladimir Komovich
Composer: Giacomo Puccini
Soprano: Anna Netrebko
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Opera
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed...Show more
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed with big tunes, dances and a heart-stopping duel. As with his ballets, Tchaikovsky brings many symphonic elements to the music, plush orchestrations and highly melodic arias. Onegin is a uniquely Russian opera with a universality that has made it globally popular. None of the characters are easy to associate with and yet the events and their actions ring horribly true. Full info
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Opera
This grandest of grand operas features an epic backdrop for what is in essence an intimate love stor...Show more
This grandest of grand operas features an epic backdrop for what is in essence an intimate love story. Set in ancient Egypt and packed with magnificent choruses, complex ensembles, and elaborate ballets, Aida never loses sight of its three protagonists: Amneris, the proud daughter of the pharaoh; her slave, Aida, who is the princess of the rival kingdom of Ethiopia; and Radamès, the Egyptian warrior they both love. Few operas have matched Aida in its exploration of the conflict of private emotion and public duty, and perhaps no other has remained to the present day so unanimously appreciated by audiences and critics alike. Full info
Composer: Giuseppe Verdi
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