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	15 May 2018, 19:00 - Gounod "Faust" (Opera in concert performance) - uVisitRussia
	
						

				
				
				


				
				



				
				
				
				
			
			
		
				
			

Home Theaters Moscow Tchaikovsky Concert Hall 15 May 2018, 19:00 - Gounod "Faust" (Opera in concert performance)
15May
19:00
2018 | Tuesday
Opera
Tchaikovsky Concert Hall, Moscow

PROGRAM:

Gounod Opera "Faust" in concert performance

  • Tchaikovsky Symphony Orchestra
  • Conductor – Andrey Lebedev
  • Vasily Ladyuk (baritone)
  • Ildar Abdrazakov (bass)
  • Irina Lungu (soprano)
  • Sergey Romanovsky (tenor)
  • Grand Choir “Masters of Choral Singing”
  • Irina Romishevskaya (mezzo-soprano)
  • Boris Zhukov (bass)
  • Valeriya Pfister (mezzo-soprano)
  • Organ – Lyubov Venzhik

 

Tchaikovsky Big Symphony Orchestra (TSO) was founded in 1930 as the All-Union Radio Symphony Orchestra, and renamed after the reorganization of Moscow Radio and Television. Alexander Orlov, who became the orchestra’s first leader in 1930, formed its wide and diverse repertoir.

From 1937 to 1953, the TSO was led by Nikolai Golovanov, whose powerful artistic individuality formed the orchestra style of performance as interpreter of romantic music and Russian classics.

Alexander Gauk became Golovanov’s successor and was the very first to arrange performance of Gustav Mahler's and Richard Strauss'es great compositions.

During the period from 1961 to 1974, Gennady Rozhdestvensky led the orchestra and enriched its repertoire with the music of the XX century.

Bright pages of the orchestra’s history are illustrated by performances of great modern musicians, among which were such foremost conductors as L.Stokovsky, G.Sebastian, H.Abendrot, K.Zekki, K.Sanderling, L.Maasel, K.Mazur, K.Penderetsky, E.Mravisnky, B.Khaikin, R.Barshai, V.Gerigiev, soloists David Oistrakh, L.Kogan, S.Rikhter, E.Gilels, I.Arkhipova, I.Kozlovsky, V.Tretiakov, Y.Bashmet, G.Kremer, M.Maisky, O.Maisenberg and many others.

Since 1974, Vladimir Fedoseev has been the TSO’s Artistic leader and Chief Conductor. For 27 years of his work with the orchestra, V.Fedoseev has developed its best traditions established by his predecessors. Vladimir Fedoseev’s interpretations are distinguished by their depth, sincere artistic character and unique emotional intensity. He feels the national character of the performed music, penetrating to the depth of the composer concept, reviving the composer's style. Vladimir Fedoseev managed to form a special melodious emotional style of the orchestra, which distinguished it from others and made it famous around the world.

In 1993, the Orchestra was named after Peter Ilyich Tchaikovsky by the decree of the Government of the Russian Federation.

In 1997, Vladimir Fedoseev, still leading Tchaikovsky State Symphony Orchestra, became the principal conductor of the Vienna Symphony Orchestra. Maestro arranged opera performances at foremost theatres in Vienna, Zurich, Florence, Milan La Scala, Venice La Fenicce, opera festival in Bregenz. Vladimir Fedoseev became the first ever guest conductor to Tokyo Philharmonic orchestra.

Throughout the years under Fedoseev’s leadership, the TSO has become one of the most popular Russian Symphony Orchestras abroad. TSO is frequently invited to prestigious European festivals; the orchestra often tours over Austria, Germany, Switzerland, other European countries and Japan. The TSO has performed at the best concert halls of the world, at the most significant Russian and European international festivals, among which there are Beethoven’s Festival in Bonn, International Bruckner Festival in Linz, Klang Bogen in Vienna, festivals in Bregenz, Salzburg, I.Menukhin’s Festival in Gstaad. TSO also tours a lot over Russia.

Since 1997, Tchaikovsky Symphony Orchestra and Vladimir Fedoseev in cooperation with the Moscow Conservatoire have arranged “Public Symphonic Concert Series”—a cycle of concerts at the Moscow best academic concert hall—the Grand Hall of the Conservatoire. Reviving charity traditions, these concert series grant needy audience with music meetings. The TSO and Vladimir Fedoseev revive the brightest pages of the Moscow Conservatoire music and social history.

The TSO's and Vladimir Fedoseev’s recordings were issued by the world leading recording companies among which are Ariola, JVC, Musica, Philips, Pony Canyon, Sony Classical. The orchestra’s discography includes symphonies, operas and ballets of the past and modern masters, Russian and foreign composers. Many of these recordings were awarded with international prizes, (the grand prix Orpheus d’Or in Paris by Chant du monde, Japan radio corporation Asahi crystal prize—the best concert of the year, etc.)

In 1999-2000, a jubilee CD was issued on the occasion of the 25th anniversary of Vladimir Fedoseev’s cooperation with the TSO. The jubilee recording consists of twenty-six discs and includes recordings of opera and symphony music, performances with foremost soloists, illustrating the 25-year history of the artistic union between the conductor and the orchestra.

In the season of 1999-2000, Russian press titled the TSO the best orchestra of the year. The series of jubilee concerts in honor of the TSO’s 70th anniversary became one of the brightest music event of the last year of the XX century.

Andrey Lebedev is a conductor of the Novaya Opera Theatre and of the Symphony Orchestra of the Gnessins Russian Academy of Music.

He graduated from the Rimsky-Korsakov State Conservatory in St. Petersburg (Prof. Kudryavtseva’s and Prof. Martynov’s class).

During his 20 years of conducting he has done more than 1500 productions and concerts.

In 2000 to 2002, he worked as a conductor at the Pushkin Opera and Ballet Theatre of Nizhny Novgorod and as a guest conductor of the Academic Symphony Orchestra of the Nizhny Novgorod Philharmonic. In 2002 to 2004, he was a conductor of the Glinka Academic Opera and Ballet Theatre in Chelyabinsk. In 2007 to 2013, he was the chief conductor of the Sochi Municipal Symphony Orchestra. In 2004, he became a conductor of the Leonard Gatov Musical Theatre in Krasnodar, “Premiere”, and in 2012–2014 he was its artistic director and chief conductor.

As a guest conductor, Andrey Lebedev collaborates with leading Russian and European music theatres and orchestras, including the Novaya Rossia State Symphony Orchestra (Moscow, artistic director and chief conductor Yuri Bashmet), the Russian Philharmonic Orchestra (Moscow, chief conductor Dmitri Jurowski), Tchaikovsky Symphony Orchestra (Moscow, chief conductor Vladimir Fedoseyev), St.Petersburg Symphony Orchestra, the orchestra of the Teatro Massimo Bellini (Catania, Italy), the Mikhailovsky Theatre (St. Petersburg), the Opera and Ballet Theatre of the Rimsky-Korsakov State Conservatory in St. Petersburg and many others.

  • Vasily Ladyuk (baritone) He graduated from the Sveshnikov Moscow Choral College in 1997 and from the Academy of Choral Art in Moscow as a choral conductor and as a singer in 2001. Vasily Ladyuk also completed his post-graduate studies at the Academy with Professor Vdovin in 2004. In 2002–2005, the singer polished up his vocal techniques and operatic skills attending master-classes of renowned specialists from La Scala, the Metropolitan Opera and the Houston Grand Opera.

In 2003, Vasily Ladyuk joined the Novaya Opera Company and since 2007 he has been a guest soloist of the Bolshoi Theatre.

Vasily Ladyuk is a welcome performer at the Bolshoi Theatre, the Mariinsky Theatre, the Metropolitan Opera, the Houston Grand Opera, La Scala, Gran Teatro la Fenice, Teatro Regio in Torino, Opéra de Paris Garnier, Théâtre de la Monnaie and Gran Teatro del Liceo.

Ildar Amirovich Abdrazakov - Russian opera singer (bass), People's Artist of the Republic of Bashkortostan (2011), People's Artist of the Republic of Tatarstan (2013); Commander of the Order of Friendship of Peoples of Bashkortostan (2015); winner of the national theater prize "Golden Mask" (2013), as well as twice winner of the Grammy Award (2011).

Irina Lungu (born 5 June 1980) is a Russian operatic soprano. Born in the Moldavian Soviet Socialist Republic, Lungu obtained diplomas in choral conducting, piano and singing at the State Conservatory of Voronež in Russia, where her voice teacher was Mikhail Podkopaev. She won several international competitions, including Operalia in 2004, the International Hans Gabor Belvedere Singing Competition, and Voci Verdiane in Busseto, before being accepted in 2003 by the Accademia del Teatro alla Scala, Milan, where she was mentored by, among others, soprano Leyla Gencer. In that same year (2003) Maestro Riccardo Muti selected Lungu as Anaï in Rossini's Moïse et Pharaon, the inaugural opera of the 2003/04 season of the Teatro alla Scala. That was the beginning of a fruitful collaboration between the soprano and the leading Italian opera company, where she has performed Adina in L'elisir d'amore, Maria Stuarda, Marguerite in Faust, Oksana in Cherevichki, Nannetta in Falstaff and the title role of Sancta Susanna. It was at La Scala that in 2007 she debuted the role of Violetta in La traviata under the musical direction of Lorin Maazel in Liliana Cavani's production, returning to sing the role in the same staging in 2008, and in 2013 in Dmitri Tcherniakov's new production conducted by Daniele Gatti. Violetta is her most performed role (over 130 times).In 2013 Lungu made her Metropolitan Opera debut as Gilda in Giuseppe Verdi's Rigoletto opposite her fellow countryman baritone Dmitri Hvorostovsky. Anthony Tommasini praised her performance in The New York Times, describing her as "a first class Gilda" with "bloom and warmth" in her voice. She returned to the Met later in January 2014 for five performances of Giacomo Puccini's La bohème, where she played the role of Musetta.

Having studied at the Tchaikovsky State Conservatory, Academy of Choral Arts in Moscow, Sergey Romanovsky is winner of numerous competitions, including Moscow’s International Bella Voce Competition in 2005.He has collaborated with conductors including Lorin Maazel, Evelino Pidò, Leo Hussain, Alberto Zedda, Christophe Rousset, Michele Mariotti, Daniele Callegari, Antonino Fogliani, Yuri Bashmet and Ottavio Dantone, and such stage directors as Robert Carsen, Denis Krief, Stefano Mazzonis Di Pralafera and Luca Ronconi.Sergey Romanovsky has performed at La Scala (Libenskof Il Viaggio a Reims); the Teatro Real, Madrid; Opéra Royal de Wallonie, Liège and Opéra de Bordeaux (both Almaviva Il Barbiere di Siviglia); Opera Vlaanderen; Gothenburg Opera (Don Ramiro La Cenerentola); Théâtre du Capitole, Toulouse (Mercure and Athlete Castor et Pollux); Norske Opera, Oslo (Ernesto Don Pasquale); Opéra de Montréal; Mariinsky Theatre, St Petersburg (Nemorino L’elisir d’amore); Moscow State Philharmonic Society (Tebaldo I Capuleti e Montecchi); Sinfónica Simón Bolívar, Caracas (Alfredo La traviata); Opéra de Lille (Lensky Eugene Onegin); Landestheater Salzburg (Tito La Clemenza di Tito); and Teatro Petruzzelli, Bari (Almaviva conductor Lorin Maazel).

Grand choir was founded in 1928, its founder and first artistic director was a master of choral art A.V.Sveshnikov. At various times, he was guided by such great musicians as N.S.Golovanov, I.M.Kuvykin, K.B.Ptitsa, L.V.Ermakova.In 2005, the Grand Choir (known as the «Masters of Choral Singing») for the post of artistic director was invited by the People’s Artist of Russia, Professor Lev Kontorovich. Under his leadership, the updated composition of the choir successfully continues the traditions established by their predecessors. The name itself — «Masters of Choral Singing» — determined the professionalism, high level of performance, exceptional speed and versatility of the team, where each artist can act as a member of the choir and as a soloist.For 85 years, the choir performed more than 5,000 works — operas, oratorios, cantatas Russian and foreign composers, works a’cappella, folk songs and sacred music. Many of them were the «golden fund» of the national record, gained recognition abroad (Grand Prix competition of recordings in Paris, the «Gold Medal» in Valencia). In the performance of a large choir were first heard many choral works by Prokofiev, Shostakovich, Shchedrin, Aram Khachaturian, O.Taktakishvili, V.Agafonnikova, Yu.Evgrafova etc.

IRINA ROMISHEVSKAYA She graduated from the Tchaikovsky Moscow State Conservatory in 1990 and completed her post-graduate studies with professor Pisarenko in 1993. For several years she worked in Japan as a teacher in a musical college and as a soloist of the Tokyo Opera. She sang in Bizet’s Carmen, Rossini’s La Cenerentola and Il barbiere di Siviglia, Verdi’s La traviata and La forza del destino, and Tchaikovsky’s Eugene Onegin.

Since 1994, Irina Romishevskaya has been a leading soloists of the Novaya Opera. She constantly takes part in the Novaya Opera tours in Russia and abroad.

The singer gives a lot of concerts. She performs recitals in Moscow and other Russian cities and towns, in Japan and Iceland. She sings with symphony orchestras in the best concert halls of Moscow, France, Japan, Germany and Italy. She participates in international festivals (Svyatoslav Richter’s December Nights in Moscow, Jurmala-classique). Irina works with prominent conductors such as Vladimir Spivakov, Alexander Rudin, Yuri Bashmet, Vasily Sinaisky, Vladimir Fedoseyev, Boris Tevlin, to mention but a few.

BORIS ZHUKOV, bass. He graduated from F. Chopin Irkutsk College of Music (2012, MA Prygunova's class) and the Gnesins Russian Academy of Music (class of A.V. Mochalov).In the opera studio of the Academy he performed parts: Bartolo ("Wedding of Figaro" by WA Mozart), Gianni Schicchi ("Gianni Schicchi" by G. Puccini).

VALERIA PFISTER, mezzo-soprano.Valeria Pfister graduated from the Shnitke State University of Music in Moscow (Prof. Shadrina's class) in 2010. She worked with the Moscow State Chapel under Vadim Sudakov in 2002. She collaborated with the Pokrovsky State Academic Chamber Music Theatre of Moscow. Valeria Pfister joined the Novaya Opera in 2003 as a member of the chorus; in 2007 she became a soloist. The singer performs mezzo-soprano parts and participates in concert programmes.