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	12 November 2017, 19:00 - V. Silvestrov. R. Strauss. Performed by Svetlanov Symphony Orchestra and Gidon Kremer (violin). Conductor – Vladimir Jurowski - uVisitRussia
	
						

				
				
				


				
				



				
				
				
				
			
			
		
				
			

Home Theaters Moscow Tchaikovsky Concert Hall 12 November 2017, 19:00 - V. Silvestrov. R. Strauss. Performed by Svetlanov Symphony Orchestra and Gidon Kremer (violin). Conductor – Vladimir Jurowski

PROGRAM:

  • V. Silvestrov 
  • Symphony for Violin and Orchestra ("Homage")
  • R. Strauss 
  • Eine Alpensinfonie

 

  • Svetlanov Symphony Orchestra
  • Gidon Kremer (violin)
  • Conductor – Vladimir Jurowski

 

State Academic Symphony Orchestra of Russia (Svetlanov Symphony Orchestra) for 75 years has been one of the leading orchestras of Russia and a special pride of this country's musical culture.

The ensemble's debut performance took place on 5 October 1936, at the Great Hall of the Moscow Conservatory. Only a few months later, it went on an extensive tour around the former USSR. 

From its inception, the orchestra has been led by the finest musicians such as its founder Alexander Gauk (1936-1941); Natan Rakhlin (1941-1945), who guided it through the difficult World War II years; Konstantin Ivanov (1945-1965), who, for the first time, took it on international tours; and "the last romantic of the 20th century", Evgeny Svetlanov (1965-2000). Under Svetlanov's leadership the orchestra became one of the world's best, and its repertoire has grown to include virtually all Russian symphonic music, nearly all Western classics, and countless works by contemporary composers. From 2000 to 2002 the orchestra was headed by Vassily Sinaisky, and from 2002 to 2011, by Mark Gorenstein.

On 24 October 2011 Vladimir Jurowski is appointed an artistic director of State Symphony Orchestra of Russia.
On 27 October 2005, the name of Evgeny Fedorovich Svetlanov became part of the State Academic Symphony Orchestra of Russia official name in recognition of his invaluable contribution to Russian musical culture.

The orchestra performs at such prestigious venues as the Great Hall of the Moscow Conservatory, Tchaikovsky Concert Hall (Moscow), Carnegie Hall, Avery Fisher Hall (New York), Kennedy Center (Washington, D. C.), Musikverein (Vienna), Albert Hall (London), Salle Pleyel (Paris), Teatro Colon (Buenos Aires), and Suntory Hall (Tokyo).

The list of world renowned and legendary figures who graced the podium of the orchestra as guest conductors includes H. Abendroth, A. Cluytens, V. Gergiev, N. Golovanov, M. Jansons, E. Kleiber, K. Kondrashin, K. Masur, A. Melik-Pashaev, Y. Menuhin, E. Mravinsky, C. Munch, M. Rostropovich, G. Rozhdestvensky, S. Samosud, and Y. Temirkanov to name a few.

Among the outstanding soloists who have performed with the orchestra are I. Arkhipova, Yu. Bashmet, M. Caballe, P. Domingo, A Fischer, Gilels, N. Gutman, O. Kagan, L. Kogan, V. Krainev, M. Long Y. Menuhin, D. Oistrakh, N. Petrov, M. Pletnev, S. Richter, V. Spivakov, V. Tretyakov, and E. Virsaladze. Recently, this stellar roster was expanded to add A. Baeva, A. Buzlov, M. Fedotov, M. Gulegina, D. Hvorostovsky, E. Kissin, A. Knyazev, A. Korobeinikov, M. Kultyshev, N. Lugansky, D. Matsuev, V. Rudenko, A. Rudin, and M. Vengerov.

After its first tour abroad in 1956, the orchestra has regularly represented Russian culture in Australia, Austria, Belgium, Canada, China, the Czech Republic, Denmark, France, Germany, Hong Kong, Italy, Japan, Lebanon, Mexico, New Zealand, Poland, South Korea, Switzerland, Thailand, Turkey, the US, and other countries and participated in the major international festivals and charitable events.

The ensemble devotes a great deal of time to touring Russian cities and also, to charitable activities, including free performances at the country's hospitals, schools, and orphanages.

The orchestra's discography includes hundreds of recordings released by leading Russian and foreign labels such as Melodiya, Bomba-Piter, EMI Classics, BMG, Naxos, Chandos, Musikproduktion Dabringhaus und Grimm, and others. The special place in this list belongs to the famous Anthology of the Russian Symphonic Music encompassing audio recordings of Russian composers from Glinka to Glazunov, a Svetlanov's project, to which he dedicated many years.

The orchestra's creative biography is a succession of triumphant achievements that have secured its permanent place in the annals of world culture.

Among the world’s leading violinists, Gidon Kremer has perhaps pursued the most unconventional career. He was born on 27 February 1947 in Riga, Latvia, and began studying at the age of four with his father and grandfather, both distinguished string players. At the age of seven, he enrolled as a student at Riga Music School where he made rapid progress, and at sixteen he was awarded the First Prize of the Latvian Republic. Two years later he began his studies with David Oistrakh at the Moscow Conservatory. Gidon Kremer went on to win a series of prestigious awards, including prizes in the 1967 Queen Elisabeth Competition in Brussels and 1969 Montreal International Music Competition and first prize in both the 1969 Paganini and 1970 Tchaikovsky International Competitions.

It was from this secure platform of study and success that Gidon Kremer launched his distinguished career. Over the past five decades he has established and sustained a worldwide reputation as one of the most original and compelling artists of his generation. He has appeared on almost every major concert stage as recitalist and with the most celebrated orchestras of Europe and North America, and has worked with many of the greatest conductors of the past half century.

Gidon Kremer’s repertoire is unusually wide and strikingly varied. It encompasses the full span of classical and romantic masterworks for violin, together with music by such leading twentieth and twenty-first century composers as Berg, Henze and Stockhausen. He has also championed the work of living Russian and Eastern European composers and has performed many important new compositions by them, several of which have been dedicated to him. His name is closely associated with such composers as Alfred Schnittke, Arvo Pärt, Giya Kancheli, Sofia Gubaidulina, Valentin Silvestrov, Luigi Nono, Edison Denisov, Aribert Reimann, Peteris Vasks, John Adams, Victor Kissine, Michael Nyman, Philip Glass, Leonid Desyatnikov and Astor Piazzolla, whose works he performs in ways that respect tradition while being fully alive to their freshness and originality. It is fair to say that no other soloist of comparable international stature has done more to promote the cause of contemporary composers and new music for violin. 

An exceptionally prolific recording artist, Gidon Kremer has made over 120 albums. Many of these have received prestigious international awards and prizes in recognition of his exceptional interpretative insights. The artist’s list of awards includes, among many others, the Grand prix du Disque, the Deutscher Schallplattenpreis, the Ernst von Siemens Musikpreis, the Bundesverdienstkreuz, the Premio dell’ Accademia Musicale Chigiana, the Triumph Prize 2000 (Moscow), the Unesco Prize in 2001, the Saeculum Glashütte Original MusikFestspielPreis from Dresden in 2007, the Rolf Schock Prize for the Musical Arts from Stockholm in 2008, the Lifetime Achievement Award of the Istanbul Music Festival in 2010, and the Una Vita Nella Musica – Artur Rubinstein Prize from Venice in 2011. In 2016 Gidon Kremer has received a Praemium Imperiale prize that is widely considered to be the Nobel Prize of music.

In 1997 Maestro Kremer founded Kremerata Baltica chamber orchestra to foster outstanding young musicians from the three Baltic States – Estonia, Latvia and Lithuania. The ensemble and its founder have toured extensively together over the past two decades, appearing at the world’s leading festivals and concert venues. They have also recorded two dozen albums for the Teldec, Nonesuch, Burleske, Deutsche Grammophon and ECM labels. During 2016-17 they will jointly celebrate the ensemble’s 20th anniversary and Maestro Kremer’s 70th birthday year with extensive tours of the United States, Europe and the Far East. The violinist will also appear as a concerto soloist with, among others, the Philharmonisches Staatsorchester Hamburg and Kent Nagano, the Berliner Philharmoniker and Christian Thielemann, the Boston Symphony Orchestra and Juanjo Mena, and the National Symphony Orchestra and Christoph Eschenbach.

In February 2002 Gidon Kremer and Kremerata Baltica received the Grammy Award in the “Best Small Ensemble Performance” category for After Mozart on Nonesuch; the album was awarded an ECHO Klassik later that year. Their 2014 release on ECM of works by Mieczysław Weinberg was nominated for a Grammy in 2015.

In 2015 Deutsche Grammophon released New Seasons, comprising Gidon Kremer and Kremerata Baltica’s recording of Philip Glass’s Violin Concerto No 2, The American Four Seasons, and works by Pärt, Kancheli and Shigeru Umebayashi. Their latest album, issued on ECM in October 2015 to mark Giya Kancheli’s 80th birthday year, pairs the Georgian composer’s Chiaroscuro for violin, string orchestra and percussion and Twilight for two violins and string orchestra, with Maestro Kremer and Patricia Kopatchinskaja as soloists. Both titles attracted high critical praise and a substantial international audience within weeks of their release.

Gidon Kremer plays an instrument made by Nicola Amati in 1641. He is the author of four books, of which the latest is Letters to a Young Pianist (2013). These writings have been translated into many languages and reflect the breadth of his artistic pursuits and aesthetic outlook.

One of today’s most sought-after and dynamic conductors, acclaimed worldwide for his incisive musicianship and adventurous artistic commitment, Vladimir Jurowski was born in Moscow, and completed the first part of his musical studies at the Music College of the Moscow Conservatory. In 1990 he relocated with his family to Germany, continuing his studies at the Musikhochschule of Dresden and Berlin, studying conducting with Rolf Reuter and vocal coaching with Semion Skigin. In 1995 he made his international debut at the Wexford Festival conducting Rimsky-Korsakov’s May Night, and the same year saw his debut at the Royal Opera House Covent Garden with Nabucco.

Vladimir Jurowski was appointed Principal Guest Conductor of the London Philharmonic Orchestra in 2003, becoming the orchestra's Principal Conductor in September 2007. He also holds the titles of Principal Artist of the Orchestra of the Age of Enlightenment and Artistic Director of the Russian State Academic Symphony Orchestra. He has also held the positions of First Kapellmeister of the Komische Oper Berlin (1997-2001), Principal Guest Conductor of the Teatro Comunale di Bologna (2000-2003), Principal Guest Conductor of the Russian National Orchestra (2005-2009) and Music Director of Glyndebourne Festival Opera (2001-2013).

Vladimir Jurowski has appeared on the podium with many of the world's leading orchestras in both Europe and North America, including the Berlin and Vienna Philharmonic Orchestras, the Royal Concertgebouw Orchestra, Philadelphia Orchestra, Boston Symphony, Chicago Symphony, Tonhalle Orchester Zurich, Gewandhausorchester Leipzig, and the Staatskapelle Dresden. Highlights of the 2013/14 season and beyond include his debuts with the New York Philharmonic, NHK Symphony Orchestra Tokyo and San Francisco Symphony, tours with the Chamber Orchestra of Europe and Mahler Chamber Orchestra, and return visits to the Chicago Symphony, Cleveland and Philadelphia Orchestras, the Rundfunk Sinfonie-orchester Berlin, and the Accademia Nazionale di Santa Cecilia.

Jurowski made his debut at the Metropolitan Opera New York in 1999 with Rigoletto, and has since returned for Jenufa, The Queen of Spades and Hansel und Gretel. He has conducted Parsifal and Wozzeck at the Welsh National Opera, War and Peace at the Opera National de Paris, Eugene Onegin at Teatro alla Scala Milan, Ruslan and Ludmila at the Bolshoi Theatre, and Iolanta and Der Teufel von Loudon at the Dresden Semperoper, as well as Die Zauberflöte, La Cenerentola, Otello, Macbeth, Falstaff, Tristan und Isolde, Die Meistersinger von Nurnberg, Don Giovanni, The Rake’s Progress, The Cunning Little Vixen, Ariadne auf Naxos and Peter Eötvös’ Love and Other Demons at Glyndebourne Opera. In 2013 he returns to the Metropolitan Opera for Die Frau ohne Schatten, and future engagements include Moses und Aron at the Komische Oper Berlin and The Fiery Angel at the Bayerische Staatsoper in Munich.

Jurowski’s discography includes the first ever recording of the cantata Exile by Giya Kancheli for ECM, Meyerbeer’s L’etoile du Nord for Marco Polo, Massenet’s Werther for BMG, and a series of records for PentaTone with the Russian National Orchestra, including Tchaikovsky's Orchestral Suite No. 3 and Stravinsky's Divertimento from Le baiser de la fée, Shostakovich Symphonies No 1 & 6, Prokofiev Symphony No 5, and Tchaikovsky’s Hamlet Incidental Music. The London Philharmonic Orchestra has released a wide selection of his live recordings on their LPO Live label, including Brahms Symphonies No. 1 and No. 2, Mahler Symphonies No. 1 and No. 2, Rachmaninov’s Symphonic Dances, Tchaikovsky’s Symphonies 1, 4, 5, 6 and Manfred, and works by Turnage, Holst, Britten, Shostakovich, Honegger and Haydn. His tenure as Music Director at Glyndebourne has been documented in CD releases of La Cenerentola, Tristan und Isolde and Prokofiev’s Betrothal in a Monastery, and DVD releases of his performances of La Cenerentola, Gianni Schicchi, Die Fledermaus, Die Meistersinger von Nurnberg, Don Giovanni, and Rachmaninov’s The Miserly Knight, and other DVD releases include Hansel und Gretel from the Metropolitan Opera New York, his first concert as London Philharmonic Orchestra’s principal conductor featuring works by Wagner, Berg and Mahler, and DVDs with the Orchestra of the Age of Enlightenment (Beethoven symphonies 4 and 7) and the Chamber Orchestra of Europe (Strauss and Ravel), all released by Medici Arts.

Casts & Credits

Composer: Richard Strauss
Violin soloist: Gidon Kremer