"Petroushka"
CREDITS
Music by Igor Stravinsky
Choreography by Michel Fokine
Libretto, scenery and costumes by Alexander Benois
Musical Director: Valery Gergiev
Director: Gary Crist
Lighting designer: Vladimir Lukasevich
SYNOPSIS
During the Shrovetide festivities, a show is given in the show. Three dolls - Arap, Ballerina and Petrushka - dance at first for the audience, and then among the audience. A ballerina, an empty coquette, dances with one or the other.
The wretched, lonely Petrushka is in love with the Ballerina and is jealous of her towards the narcissistic and stupid Arap. The ballerina is indifferent to Petrushka. A magician is cruel to him. Parsley tries to prevent the ballerina from flirting with Arap, but Arap drives him away.
Pursuing Petrushka, he bursts out of the booth and in the eyes of a walking crowd kills an unfortunate rival. His name is the keeper. But the Magician appears and explains to the crowd that it is only the death of a doll, no more. He shows the body of Petrushka stuffed with sawdust. Everyone diverge. Suddenly there is a shrill cry in the silence. Illuminated by the moon, Petrushka appears on the roof of the booth, which threatens his punishers with fists.
World premiere: June 13, 1911, Diaghilev's Russian Ballet, Chatelet Theater, Paris
Premiere of the performance on the stage of the Mariinsky Theater: February 6, 2010
Running time: 40 minutes
"Le Carnaval"
CREDITS
Music by Robert Schumann (Le Carnaval, Op. 9, orchestrated by Nikolai Rimsky-Korsakov, Anatoly Lyadov, Alexander Glazunov, Nikolai Cherepnin, Anton Arensky)
Choreography by Michel Fokine
Set and Costume design by Léon Bakst
The revival team:
Choreography staged by Sergei Vikharev
Sets reproduced by Mikhail Shishliannikov
Costumes reproduced by Tatiana Noginova
Lighting by Alexander Naumov and Mikhail Shishliannikov
SYNOPSIS
Preambule. Carnival festivities.
Pierrot. Pierrot is sad.
Harlequin. The colourfully dressed Harlequin swoops down on Pierrot. Harlequin is in good spirits; Pierrot’s wretched looks make him laugh all the more. He sneers and gibes at the poor fellow and vanishes as quickly as he appeared.
Eusebius. Eusebius enters slowly. He is perturbed by the glitter and merriment of the carnival. He is looking for refuge. At the feast there was no girl he was interested in enjoying the amusements together with. Suddenly he meets a stranger such as can only be dreamed of. It is Chiarina. She is dancing on the stage and drawing Eusebius after her.
Florestan. The passionate Florestan runs in, looking for Estrella. Voilà! Estrella feigns disdain. Florestan throws himself at her, wishing to declare his love. Continuing to act hurt, Estrella turns away, but the insistent Florestan succeeds in getting her to dance with him.
Coquette. Chiarina appears again with flowers in her arms. She dances coquettishly, giving her arm to Eusebius, she kisses a flower, throws it to Eusebius and hides.
Papillon. Pierrot is lonely. Papillon flutters past and flits about the stage lighheartedly. Pierrot lies in wait for her. Papillon flaps her wings, trying to fly away. Pierrot, intent on catching her with his hat, takes aim and throws it. Pierrot thinks he has caught Papillon, and retrieves his hat. What a disappointment! Papillon is not there – she has flown away.
Chiarina. Agitated by the events, Chiarina and two friends run in. Chiarina, apparently, has already told them about her adventure with Eusebius.
Reconaissance. The carnival characters arrive. Colombine slips as she moves across the floor; the merry Harlequin grabs hold of her. The happy couple look for the chance to withdraw and share their emotions. Their first wish, when they see no-one is looking, is to kiss.
Pantalone and Colombine. Pantalone, an old man trying to act young, enters in a terrible rush. Colombine had appointed a rendezvous. The clock shows that the time has come, and this is the place appointed in the letter... But his lady is not there. Pantalone decides to wait. In impatience he reads the letter again. Someone’s tender hands cover his eyes and someone else’s grab the letter – Harlequin and Colombine have decided to amuse themselves with the comical old devotee.
Promenade. The lovers appear, couple after couple. They plan on being alone, but they meet others also looking for a quiet spot. Papillon flies in, followed by Pierrot. Pantalone is among the strolling lovers, still trying to find the unknown writer of the letter. She leads him to Harlequin and Colombine who are wrapped in a daydream. Pantalone’s behaviour enfuriates Harlequin. At the top of his voice he declares “Columbine and I are to marry.” Pantalone protests. Pierrot calms everyone down. “No quarrels or arguments. Pantalone and Harlequin – make peace.” Harlequin holds out his hand, and Pantalone reluctantly accepts it. The burst of merriment siezes everyone. In the carnival merriment only two are ill at ease – Pierrot and Pantalone. Columbine calls on Pantalone. He moves towards her. However, Harlequin throws him into the embraces of the gaping Pierrot and attaches Pierrot’s long arms to Pantalone’s back. The last bars of the carnival music can be heard and the curtain falls. Pierrot and Pantalone, cut off from the merriments behind the curtain, knock and bang, in vain begging to be let into the carnival.
Running time: 30 minutes
"Le Spectre de la rose"
CREDITS
Music by Carl Maria von Weber
Choreography by Michel Fokine (1911)
Concept by Jean-Louis Vaudoyer after the poem by Théophile Gautier
Scenario by Michel Fokine
Reconstruction by Isabelle Fokine
Costumes after sketches by Léon Bakst
ABOUT THE PRODUCTION
In it (Le Spectre de la rose) there was no dancing to display technique... The dancing is expressive throughout. <...> Her eyes closed, the Girl seeks out her Spectre, summoning him. In none of the movements does the Spectre resemble a typical dancer performing his variations for the pleasure of the audience. He is a spirit. He is a dream. He is the scent of a rose, the caress of its delicate petals and much more besides, for which it is impossible to find the right words, he is no ‘cavalier’ in any sense of the word, he is not the ‘partner of the ballerina’. The technique of the arms in this ballet is totally different to the strong and correct arms in old ballets. Here the arms are alive, speaking, singing, and not performing ‘positions’.
Michel Fokine. Extracts from the book Against the Current
World premiere: 19 April 1911, Les Ballets Russes de Serge de Diaghilev, Théâtre de Monte Carlo
In the repertoire of the Mariinsky Theatre since 1997
Running time: 10 minutes
- Home
- |
- Tours
- |
- Day tours
- |
- Rail tours
- |
- Shore excursions
- |
- My trip
- |
- About
Group Tour Packages
Company Information
US office
3422 Old Capitol Trail Suite 1252,
Wilmington DE, 19808 USA.
US toll-free: 1-888-845-8877
Russian office
Ligovsky pr. 57, Office 19,
191040, St. Petersburg, Russia
tel: +7-812-309-5339
© 2001 – 2024 by Northern Crown, Ltd. uVisitRussia and uVisitRussia.com are registered trademarks. Terms & Conditions Privacy Policy
Why Do You Need Our Travel Expert
Contact our experts, and they will help you to plan your best trip to Russia, with attention to every detail!
Our Experts have been in the travel industry for many years, guarantee to offer first class customer service, excellent value for money and unbiased advice. They are standing by to find and build your dream holiday to one of the world's most fascinating destinations - Russia.
Your personal Travel Expert will guide you through each stage of the travel process, from choosing a program that fits you best to support during your trip.
Just tell us your e-mail, and we'll take care of everything!
Ask a Travel Expert
Leave your phone number
Your tour request has been received. Thank you !
We have sent you the confirmation message to [email]
Please make sure that you receive this message (sometimes e-mail messages may go to the spam/junk mail).
If you did not get this message, it means you will not get message with the tours' selection as well. If you use a Yahoo!, Gmail, AOL or Hotmail, we recommend to add request@uvisitrussia.com to your address book.
We recommend to leave your phone number. If we will not heard back that you received the e-mail with the tours' selection, we will contact you by phone.
And you will not miss the best tour for you.
Thank you ! Your request for Travel Expert assistance has been sent. We will e-mail you within 1 hour.