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	25 February 2019, 19:00 - Evening of one-act ballets by Michel Fokine: Petroushka. Le Spectre de la Rose. Carnaval - uVisitRussia
	
						

				
				
				


				
				



				
				
				
				
			
			
		
				
			

Home Theaters Saint Petersburg Mariinsky Theater 25 February 2019, 19:00 - Evening of one-act ballets by Michel Fokine: Petroushka. Le Spectre de la Rose. Carnaval
25February
19:00
2019 | Monday
Duration: 1 hour 20 minutes approximately

"Petroushka"

CREDITS

Music by Igor Stravinsky
Choreography by Michel Fokine
Libretto, scenery and costumes by Alexander Benois
Musical Director: Valery Gergiev
Director: Gary Crist
Lighting designer: Vladimir Lukasevich

SYNOPSIS

During the Shrovetide festivities, a show is given in the show. Three dolls - Arap, Ballerina and Petrushka - dance at first for the audience, and then among the audience. A ballerina, an empty coquette, dances with one or the other.
The wretched, lonely Petrushka is in love with the Ballerina and is jealous of her towards the narcissistic and stupid Arap. The ballerina is indifferent to Petrushka. A magician is cruel to him. Parsley tries to prevent the ballerina from flirting with Arap, but Arap drives him away.
Pursuing Petrushka, he bursts out of the booth and in the eyes of a walking crowd kills an unfortunate rival. His name is the keeper. But the Magician appears and explains to the crowd that it is only the death of a doll, no more. He shows the body of Petrushka stuffed with sawdust. Everyone diverge. Suddenly there is a shrill cry in the silence. Illuminated by the moon, Petrushka appears on the roof of the booth, which threatens his punishers with fists.

World premiere: June 13, 1911, Diaghilev's Russian Ballet, Chatelet Theater, Paris
Premiere of the performance on the stage of the Mariinsky Theater: February 6, 2010

Running time: 40 minutes

"Le Carnaval"

CREDITS

Music by Robert Schumann (Le Carnaval, Op. 9, orchestrated by Nikolai Rimsky-Korsakov, Anatoly Lyadov, Alexander Glazunov, Nikolai Cherepnin, Anton Arensky)
Choreography by Michel Fokine
Set and Costume design by Léon Bakst

The revival team:
Choreography staged by Sergei Vikharev
Sets reproduced by Mikhail Shishliannikov
Costumes reproduced by Tatiana Noginova
Lighting by Alexander Naumov and Mikhail Shishliannikov

SYNOPSIS

Preambule. Carnival festivities. 

Pierrot. Pierrot is sad. 

Harlequin. The colourfully dressed Harlequin swoops down on Pierrot. Harlequin is in good spirits; Pierrot’s wretched looks make him laugh all the more. He sneers and gibes at the poor fellow and vanishes as quickly as he appeared. 

Eusebius. Eusebius enters slowly. He is perturbed by the glitter and merriment of the carnival. He is looking for refuge. At the feast there was no girl he was interested in enjoying the amusements together with. Suddenly he meets a stranger such as can only be dreamed of. It is Chiarina. She is dancing on the stage and drawing Eusebius after her. 

Florestan. The passionate Florestan runs in, looking for Estrella. Voilà! Estrella feigns disdain. Florestan throws himself at her, wishing to declare his love. Continuing to act hurt, Estrella turns away, but the insistent Florestan succeeds in getting her to dance with him. 

Coquette. Chiarina appears again with flowers in her arms. She dances coquettishly, giving her arm to Eusebius, she kisses a flower, throws it to Eusebius and hides. 

Papillon. Pierrot is lonely. Papillon flutters past and flits about the stage lighheartedly. Pierrot lies in wait for her. Papillon flaps her wings, trying to fly away. Pierrot, intent on catching her with his hat, takes aim and throws it. Pierrot thinks he has caught Papillon, and retrieves his hat. What a disappointment! Papillon is not there – she has flown away. 

Chiarina. Agitated by the events, Chiarina and two friends run in. Chiarina, apparently, has already told them about her adventure with Eusebius. 

Reconaissance. The carnival characters arrive. Colombine slips as she moves across the floor; the merry Harlequin grabs hold of her. The happy couple look for the chance to withdraw and share their emotions. Their first wish, when they see no-one is looking, is to kiss. 

Pantalone and Colombine. Pantalone, an old man trying to act young, enters in a terrible rush. Colombine had appointed a rendezvous. The clock shows that the time has come, and this is the place appointed in the letter... But his lady is not there. Pantalone decides to wait. In impatience he reads the letter again. Someone’s tender hands cover his eyes and someone else’s grab the letter – Harlequin and Colombine have decided to amuse themselves with the comical old devotee. 

Promenade. The lovers appear, couple after couple. They plan on being alone, but they meet others also looking for a quiet spot. Papillon flies in, followed by Pierrot. Pantalone is among the strolling lovers, still trying to find the unknown writer of the letter. She leads him to Harlequin and Colombine who are wrapped in a daydream. Pantalone’s behaviour enfuriates Harlequin. At the top of his voice he declares “Columbine and I are to marry.” Pantalone protests. Pierrot calms everyone down. “No quarrels or arguments. Pantalone and Harlequin – make peace.” Harlequin holds out his hand, and Pantalone reluctantly accepts it. The burst of merriment siezes everyone. In the carnival merriment only two are ill at ease – Pierrot and Pantalone. Columbine calls on Pantalone. He moves towards her. However, Harlequin throws him into the embraces of the gaping Pierrot and attaches Pierrot’s long arms to Pantalone’s back. The last bars of the carnival music can be heard and the curtain falls. Pierrot and Pantalone, cut off from the merriments behind the curtain, knock and bang, in vain begging to be let into the carnival.

Running time: 30 minutes

"Le Spectre de la rose"

CREDITS

Music by Carl Maria von Weber 
Choreography by Michel Fokine (1911) 
Concept by Jean-Louis Vaudoyer after the poem by Théophile Gautier 
Scenario by Michel Fokine 
Reconstruction by Isabelle Fokine 
Costumes after sketches by Léon Bakst

ABOUT THE PRODUCTION

In it (Le Spectre de la rose) there was no dancing to display technique... The dancing is expressive throughout. <...> Her eyes closed, the Girl seeks out her Spectre, summoning him. In none of the movements does the Spectre resemble a typical dancer performing his variations for the pleasure of the audience. He is a spirit. He is a dream. He is the scent of a rose, the caress of its delicate petals and much more besides, for which it is impossible to find the right words, he is no ‘cavalier’ in any sense of the word, he is not the ‘partner of the ballerina’. The technique of the arms in this ballet is totally different to the strong and correct arms in old ballets. Here the arms are alive, speaking, singing, and not performing ‘positions’. 

Michel Fokine. Extracts from the book Against the Current

World premiere: 19 April 1911, Les Ballets Russes de Serge de Diaghilev, Théâtre de Monte Carlo
In the repertoire of the Mariinsky Theatre since 1997

Running time: 10 minutes