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6 April 2018, 19:00 - Boris Godunov (Opera in two parts) - M.Mussorgsky - uVisitRussia
World premiere: Moscow theatre "New Opera", 19 September 1998
Mussorgsky’s Boris Godunov is Russia’s national epic: a tale of splendour, suffering, and the all-too human price of power. It’s one of the supreme achievements in Russian opera. If the Mariinsky is Russia’s national opera company, Mussorgsky’s Boris Godunov – premiered at the Mariinsky in 1874 - is surely Russia’s national opera. Certainly, few operas look more penetratingly at the soul of a nation: scenes of pageantry are undercut by private soul-searching and state-sanctioned murder. The opera paints Russia’s artistic self-image.
BORIS GODUNOV - MODEST MUSSORGSKY
Music Director: Dmitry Volosnikov Conductors: Dmitry Volosnikov, Valery Kritskov Stage Director: Valery Belyakovich Set Designer: Eduard Kochergin Costume Designer: Inna Gabai Lighting Designer: Gleb Filshtinsky Chief and stage choirmaster: Natalya Popovich Choirmaster: Andrey Lazarev
Opera in two parts (7 scenes) Mussorgsky’s first version to his own libretto after Pushkin and Karamsin
This great epic opera takes place in Russia between 1598 and 1605. Boris Godunov ascends the throne, praying for the guidance of God in the great task before him. The old monk Pimen, who is writing a chronicle of Russia, tells Grigory Otrepyev that the young Prince Dmitri, the son of late Tsar Ivan the Terrible, was killed by the usurper, Boris Godunov. The ambitious Grigory decides to pose as Dmitri in order to claim the Russian throne.
Tsar Boris is never at peace: he is haunted by the memory of Dmitri’s murder. When he learns that a pretender has emerged in Lithuania under the name of Dmitri, the shattered Boris has a vision of the murdered child.
A simpleton, tormented by the cruelty of children, compares Boris with Herod, thus expressing the people’s hostile attitude towards their tsar. Boris, ill and demented with guilt, can take no more and dies. He accepts death as redemption for his sin
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