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Behzod Davronov (Tenor)

Biography

Bekhzod Davronov was born in Samarkand, Uzbekistan. In 2012, he entered The State Conservatory of Uzbekistan. He debuted with the role of the Duke of Mantua in Rigoletto, Tamino in Die Zauberflöte and Hoffmann in Les Contes d’Hoffmann

In 2016 he became the Young Artist of the Opera Studio at the Alisher Navoi Opera and Ballet Grand Academic Theater. He debuted with the role of the Young Gypsy in Aleko and Boyar Lykov in The Tsar’s Bride

In 2017 Bekhzod became a soloist of The State Youth Orchestra of Uzbekistan. He performed on the tour of the orchestra around the cities of Uzbekistan. 
He also has participated in master classes with Tamara Novichenko (Russia), Renato Bruson (Italy), Roza Tulyaganova Bulat (USA), Ismail Djalilov (Uzbekistan). 

In April 2018 Bekhzod Davronov joined the Bolshoi Theatre Opera Company, where debuted in the role of Almerik (Iolanta by Tchaikovsky). 

Repertoire

Almerik (Tchaikovsky’s Iolanta
Remendado (Bizet’s Carmen
Simpleton (Mussurgsky’s Boris Godunov
Cosmetic Merchant / Charles Edward (Bernstein’s Candide

Events with Behzod Davronov (Tenor)

16
October
Wednesday
Opera
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex...Show more
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex music. The chilling Grand Inquisitor imposes his will in thunderous, dark-toned music, while the revolutionary Marquis of Posa sings a stirring duet with Don Carlos in praise of freedom. And in Eboli and Elizabeth, Verdi created two of his most sympathetic heroines. Verdi's music masterfully controls the twisting and turning story. Vivid orchestral colours and affecting melodies manipulate his audience to devastating effect: we love, we hate, we turn and sympathise as each note reveals a little more of these complex, charismatic characters. Full info
Bass: Denis Makarov
Composer: Giuseppe Verdi
Soprano: Guzel Sharipova

All seats are sold out

18
October
Friday
Opera
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex...Show more
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex music. The chilling Grand Inquisitor imposes his will in thunderous, dark-toned music, while the revolutionary Marquis of Posa sings a stirring duet with Don Carlos in praise of freedom. And in Eboli and Elizabeth, Verdi created two of his most sympathetic heroines. Verdi's music masterfully controls the twisting and turning story. Vivid orchestral colours and affecting melodies manipulate his audience to devastating effect: we love, we hate, we turn and sympathise as each note reveals a little more of these complex, charismatic characters. Full info
Bass: Denis Makarov
Composer: Giuseppe Verdi
Soprano: Guzel Sharipova
From US$250
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20
October
Sunday
Opera
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex...Show more
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex music. The chilling Grand Inquisitor imposes his will in thunderous, dark-toned music, while the revolutionary Marquis of Posa sings a stirring duet with Don Carlos in praise of freedom. And in Eboli and Elizabeth, Verdi created two of his most sympathetic heroines. Verdi's music masterfully controls the twisting and turning story. Vivid orchestral colours and affecting melodies manipulate his audience to devastating effect: we love, we hate, we turn and sympathise as each note reveals a little more of these complex, charismatic characters. Full info
Bass: Denis Makarov
Composer: Giuseppe Verdi
Soprano: Guzel Sharipova
From US$333
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7
November
Thursday
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
Baritone: Vasily Ladyuk
Bass: Vladimir Komovich
Bass-baritone: Nikolai Kazansky
Composer: Giuseppe Verdi
Conductor: Pavel Klinichev
Mezzo soprano: Irina Dolzhenko
Soprano: Olga Seliverstova
Save15%
Was US$441 Now US$375
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9
November
Saturday
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
Baritone: Vasily Ladyuk
Bass: Vladimir Komovich
Bass-baritone: Nikolai Kazansky
Composer: Giuseppe Verdi
Conductor: Pavel Klinichev
Mezzo soprano: Irina Dolzhenko
Soprano: Olga Seliverstova
Save15%
Was US$355 Now US$302
View tickets
Book
28
November
Thursday
Opera
The romance of Tchaikovsky’s Yevgeny Onegin is an evergreen staple of the repertoire today, but rare...Show more
The romance of Tchaikovsky’s Yevgeny Onegin is an evergreen staple of the repertoire today, but rarely did his genius find better expression than in this psychological melodrama of breathtaking intensity and beauty.Many theories exist as to the motivations behind The Queen of Spades, of how it perhaps charts the composer’s own personal turmoil, but whatever lies behind the opera’s magnificent narrative, it provides the operatic stage with one if the greatest musical dramas of all time and a collection of deeply flawed and haunting characters.Hermann is seeking the secret of the winning cards and it is such an obsession that all before him – his love for Liza, (herself betrothed to another), comradeship, life itself, becomes secondary. The result of his slow descent into madness is death and suicide.Tchaikovsky’s beautiful music is febrile and inspired, his characters acutely drawn and the opera remains one of the great masterpieces of all Russian opera. Full info
Baritone: Elchin Azizov
Baritone: Vasily Ladyuk
Bass: Denis Makarov
Conductor: Tugan Sokhiev
Mezzo soprano: Yelena Manistina
Mezzo soprano: Yelena Novak
Soprano: Maria Lobanova
Save15%
Was US$275 Now US$234
View tickets
Book
29
November
Friday
Opera
The romance of Tchaikovsky’s Yevgeny Onegin is an evergreen staple of the repertoire today, but rare...Show more
The romance of Tchaikovsky’s Yevgeny Onegin is an evergreen staple of the repertoire today, but rarely did his genius find better expression than in this psychological melodrama of breathtaking intensity and beauty.Many theories exist as to the motivations behind The Queen of Spades, of how it perhaps charts the composer’s own personal turmoil, but whatever lies behind the opera’s magnificent narrative, it provides the operatic stage with one if the greatest musical dramas of all time and a collection of deeply flawed and haunting characters.Hermann is seeking the secret of the winning cards and it is such an obsession that all before him – his love for Liza, (herself betrothed to another), comradeship, life itself, becomes secondary. The result of his slow descent into madness is death and suicide.Tchaikovsky’s beautiful music is febrile and inspired, his characters acutely drawn and the opera remains one of the great masterpieces of all Russian opera. Full info
Bass: Vladimir Komovich
Conductor: Tugan Sokhiev
Mezzo soprano: Irina Dolzhenko
Soprano: Anna Nechaeva
Save15%
Was US$323 Now US$275
View tickets
Book
30
November
Saturday
Opera
The romance of Tchaikovsky’s Yevgeny Onegin is an evergreen staple of the repertoire today, but rare...Show more
The romance of Tchaikovsky’s Yevgeny Onegin is an evergreen staple of the repertoire today, but rarely did his genius find better expression than in this psychological melodrama of breathtaking intensity and beauty.Many theories exist as to the motivations behind The Queen of Spades, of how it perhaps charts the composer’s own personal turmoil, but whatever lies behind the opera’s magnificent narrative, it provides the operatic stage with one if the greatest musical dramas of all time and a collection of deeply flawed and haunting characters.Hermann is seeking the secret of the winning cards and it is such an obsession that all before him – his love for Liza, (herself betrothed to another), comradeship, life itself, becomes secondary. The result of his slow descent into madness is death and suicide.Tchaikovsky’s beautiful music is febrile and inspired, his characters acutely drawn and the opera remains one of the great masterpieces of all Russian opera. Full info
Baritone: Elchin Azizov
Baritone: Vasily Ladyuk
Bass: Denis Makarov
Conductor: Tugan Sokhiev
Mezzo soprano: Yelena Manistina
Mezzo soprano: Yelena Novak
Soprano: Maria Lobanova
Save15%
Was US$323 Now US$275
View tickets
Book
1
December
Sunday
Opera
The romance of Tchaikovsky’s Yevgeny Onegin is an evergreen staple of the repertoire today, but rare...Show more
The romance of Tchaikovsky’s Yevgeny Onegin is an evergreen staple of the repertoire today, but rarely did his genius find better expression than in this psychological melodrama of breathtaking intensity and beauty.Many theories exist as to the motivations behind The Queen of Spades, of how it perhaps charts the composer’s own personal turmoil, but whatever lies behind the opera’s magnificent narrative, it provides the operatic stage with one if the greatest musical dramas of all time and a collection of deeply flawed and haunting characters.Hermann is seeking the secret of the winning cards and it is such an obsession that all before him – his love for Liza, (herself betrothed to another), comradeship, life itself, becomes secondary. The result of his slow descent into madness is death and suicide.Tchaikovsky’s beautiful music is febrile and inspired, his characters acutely drawn and the opera remains one of the great masterpieces of all Russian opera. Full info
Bass: Vladimir Komovich
Conductor: Tugan Sokhiev
Mezzo soprano: Irina Dolzhenko
Soprano: Anna Nechaeva
Save15%
Was US$275 Now US$234
View tickets
Book