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	14 September 2018, 19:00 - Petukhov. Liszt. Dvorak. Performed by Moscow Philharmonic Orchestra and Dmitry Masleev (piano). Conductor – Yuri Simonov - uVisitRussia
	
						

				
				
				


				
				



				
				
				
				
			
			
		
				
			

Home Theaters Moscow Tchaikovsky Concert Hall 14 September 2018, 19:00 - Petukhov. Liszt. Dvorak. Performed by Moscow Philharmonic Orchestra and Dmitry Masleev (piano). Conductor – Yuri Simonov

PROGRAM:

  • Liszt – Petukhov 
  • Spanish Rhapsody for Piano and Orchestra.
  • Liszt 
  • "Dance of Death" (paraphrase on Dies irae) for Piano and Orchestra, S 126/2.
  • Dvořák
  • Symphony No. 7 in D minor, Op. 70.

 

  • Moscow Philharmonic Orchestra
  • Dmitry Masleev (piano)
  • Conductor – Yuri Simonov

 

The State Academic Symphony Capella of Russia is a unique collective with more than 200 artists. It unites the choir, the orchestra and soloists-vocalists, who, while living in an organic unity, retain at the same time a certain creative independence.
The State Capella was founded in 1991 with the merger of the State Chamber Choir of the USSR under the leadership of Valery Polyansky and the State Symphony Orchestra of the USSR Ministry of Culture headed by Gennady Rozhdestvensky.
Both teams underwent a glorious creative path. The orchestra originated in 1957 and until 1982 was the orchestra of the All-Union Radio and Television, since 1982 - the State Symphony Orchestra of the Ministry of Culture of the USSR. At different times he was led by S. Samosud, Yu. Aranovich and M. Shostakovich. Chamber chorus was created by V.Polyansky in 1971. Since 1980 the collective has received a new status and began to be called the State Chamber Choir of the Ministry of Culture of the USSR.
With a chorus, Valery Polyansky traveled all over the republics of the USSR, initiated the festival in Polotsk, in which Irina Arkhipova, Oleg Yanchenko, and the Ensemble of Bolshoi Theater soloists participated ... In 1986, at the invitation of Svyatoslav Richter, Valery Polyansky and his choir presented a program of works by P. I. Tchaikovsky at the festival "December Evenings", and in 1994 - "All-Night Vigil" by S. V. Rachmaninov. At the same time, the State Chamber Choir declared about itself and abroad, triumphantly performing with Valery Polyansky at the festivals "Singing Wroclaw" (Poland), in Merano and Spoleto (Italy), Izmir (Turkey), in Narden (Holland); memorably participate in the famous "Promenade Concerts" in Albert Hall (Great Britain), performances in the historic cathedrals of France - in Bordeaux, Amiens, Albi.
Birthday of Goskapelli - December 27, 1991: then in the Great Hall of the Conservatory the cantata Antonina Dvorak "Wedding Shirts" was performed under the direction of Gennady Rozhdestvensky. In 1992, Valery Polyansky became artistic director and chief conductor of the Russian State Gas Committee. The activity of the choir and orchestra of the Capella is carried out both in joint performances and in parallel. The collective and its chief conductor are welcome guests at the best venues in Moscow, regular participants of the Moscow Philharmonic, Moscow Conservatory and Moscow International House of Music concerts, and they performed with the finalists of the international Tchaikovsky and Rakhmaninov contests. The Chapel triumphed in the USA, England, Italy, Germany, the Netherlands, in the countries of Southeast Asia.
The basis of the collective repertoire is cantata-oratorial genres: Masses, oratorios, requiems of all eras and styles - Bach, Handel, Haydn, Mozart, Schubert, Berlioz, Liszt, Verdi, Dvorak, Rachmaninov, Reger, Stravinsky, Britten, Shostakovich, Schnittke, Eshpai . Valery Polyansky constantly conducts monographic symphonic cycles dedicated to Beethoven, Brahms, Rachmaninov, Mahler and other great composers.
Many Russian and foreign artists collaborate with the Capella. Especially close and long-term creative friendship connects the team with Gennady Nikolayevich Rozhdestvensky, who annually presents his personal philharmonic subscription with Goskapel of Russia.

In recent years, the team has developed its own scheme in the construction of the season. Its extreme points are devoted to performances in small towns. Since 2009 in Tarusa, the Capella has hosted the "September Evenings" festival (together with the Svyatoslav Richter Foundation), introduces the masterpieces of symphonic and choral music of Torzhok, Tver, Kaluga. In 2011, Elets was added, where the world premiere of Alexander Tchaikovsky's opera "The Legend of the City of Yelets, Virgin Mary and Tamerlane" was staged in the direction of director George Isahakian. "We do not need a lot of words about patriotism," Polyansky formulated his position. "Young people simply need to hear this music that inspires love for their homeland. Crime, that there are cities where people have never heard a live symphony orchestra, have not seen opera productions. We are trying to correct this injustice. "
The repertoire policy of the State Capella also reflects the most important dates in world history. On the 200th anniversary of the victory in the Patriotic War of 1812, a concert performance of the opera War and Peace by Prokofiev took place in Torzhok and Kaluga, and the world premiere of the oratorio Gosudarevo delo by A. Tchaikovsky (2013, Lipetsk, Moscow), and on the New Stage of the Bolshoi Theater sounded "Life for the Tsar" M. Glinka.
A landmark event in 2014 was the concert performance by Goskapella of the rare-sounding opera "Semen Kotko" by Prokofiev, which took place on the New Stage of the Bolshoi Theater and at the Central Academic Theater of the Russian Army and was dedicated to the 100th anniversary of the outbreak of World War I. On these same sites the collective celebrated the 70th anniversary of the Great Victory with the performance of K. Molchanov's opera "The Dawns Are Quiet".
Intensive tours of the State Capella are taking place. The highest performing skill of the orchestra was applauded by the British public during the autumn tour of 2014. "There are conductors who think Tchaikovsky's Fifth Symphony is too famous and perform it like on autopilot, but Polyansky and his orchestra were simply magnificent. The music of Tchaikovsky, of course, entered the flesh and blood of this collective; Polyansky played this immortal masterpiece the way I'm sure Tchaikovsky would like to hear it himself, "noted British critic and composer Robert Matthew Walker.
In 2015, concerts of the band in the USA, Belarus (the Spiritual Music Festival "Mighty God") and Japan were held with triumph, where the public appreciated the interpretation of V.Poliansky's three last symphonies by Tchaikovsky.

The triumphant of the 15th International Tchaikovsky Competition (2015), the winner of the 1st prize and the Gold Medal, Dmitry Maslayev was the opening of this musical competition. Following the victory, the tour brought him the recognition of the world audience, and the international press referred to him as "the great pianist of the future" and "brilliant virtuoso", who "possesses the musicality of metaphysical proportions." Masliew's schedule includes concerts at festivals in Ruhr, La Roque d'Anterone, Bergamo and Brescia, a gala concert at the opening of the Music Festival in Istanbul, and a concert in Basel, where he replaced the ill Maurizio Pollini.
In January 2017 Dmitry Masliev's solo debut in the Carnegie Hall (Isaac Stern's Hall) took place with a program from the works of Scarlatti, Beethoven, Liszt, Rachmaninov and Prokofiev. Continuation of the debut at the Munich Gastaig Hall were two repeated engagements: with Prokofiev's piano sonatas and Beethoven's First Concerto, accompanied by the Munich Philharmonic Orchestra, and then - the debut of the artist with the Berlin Radio Orchestra, held at full house. The tour of the pianist was held in the cities of Germany with the National Philharmonic Orchestra of Russia. After the speech Maslayeva in the Paris Philharmonic followed a solo concert in the Museum of the Louis Vuitton Foundation and an Asian tour with the Philharmonic Orchestra of Radio France.
Dmitry Maslayev's game was admired at festivals in Beauvais, Rheingau, Bad Kissingen, Ruhr, Mecklenburg. Many of these concerts were broadcast on the radio and on the channel Medici.tv, increasing the number of fans of the pianist in the world. "Virtuosity was shaded with magical tenderness. The magnificent technique of the pianist was perfectly combined with elegant restraint, amazing imagination and a rich sound palette, "the newspaper Mittelbayerische Zeitung spoke of the pianist's performance. Masleev also performed at the festival Pianoscope (France) under the leadership of Boris Berezovsky. In June, Boris Berezovsky and Dmitry Masliev gave a joint concert in Moscow.
This season, Dmitry performed at the Young Euro Classic in Berlin, debuted at the Amsterdam Concertgebouw and the Blüthner Piano Series
in London, touring in the countries of South America and the US cities. His concerts take place in Lebanon, South Korea, South Africa, Switzerland, Italy, and in March he returns to London and South America. Maslayev's plans include appearances in Rolando Villason's program "Tomorrow's Stars" on the German-French television channel ARTE, as well as participation as a special guest at the festival on Lake Constance, where he will perform with several solo, chamber, orchestra programs and will give several master classes .
Dmitry Masleev was born in Ulan-Ude. He graduated from the Moscow Conservatory (class of Professor Mikhail Petukhov), then trained at the International Piano Academy on Lake Como (Italy). In addition to the Tchaikovsky competition, where the jury awarded him the first prize and a special prize for the performance of the Mozart concert, Maslenev won the VII International pianists' competition Adylia Aliyeva in Gaiare (France, 2010, Ipremia), the XXI International pianists competition "Rome" (Italy, 2011, Prize Chopin's name) and the Antonio Napolitano International Competition in Salerno (Italy, 2013, 1st Prize). Melody's company produced Maslayev's debut solo CD, where Shostakovich's Concerto No. 2 for piano and orchestra was recorded, accompanied by the State Symphony Orchestra of the Republic of Tatarstan, Prokofiev's Sonata No. 2 and five sonatas by Domenico Scarlatti.

Yuri Simonov was born in 1941 in Saratov into a family of opera singers.  He was barely twelve the first time he stood on the conductor’s rostrum to conducting Mozart’s G minor symphony with the orchestra of the Saratov Music School, where he studied the violin.  In 1956, he was accepted by the junior department of the Leningrad Conservatory, where he later completed his undergraduate studies in 1965 as a viola student of Y. Kramarov and as a conductor in the class of N. Rabinovich (1969).  He was still a student when he won a prize at the 2nd Soviet Union Conductors’ Competition (1966) and as a result was invited to the Kislovodsk Philharmonia as Chief Conductor.

In 1968 Simonov became the first Soviet conductor to win an international competition, the 5th organised by the St Cecilia Academy in Rome.  This was reported by Il Messaggero: “the absolute winner of the competition was a twenty-seven year old Russian conductor, Yuri Simonov.  This is a great talent, full of inspiration and charm.  The exceptional qualities which marked him out for both the public and the jury were his extraordinary capacity to engage the audience, his inherent musicality and the strength and clarity of his gestures.  Lets celebrate this youngster who will no doubt become a custodian of great music.  After this event he was immediately invited by Yevgeny Mravinsky to become his assistant at the Leningrad Philharmonic Orchestra and he joined him on a tour of Siberia.  Yuri Simonov has retained his contact with this orchestra until the present time.  Apart from concerts in the Great Hall of St Petersburg  Philharmonia he has joined them for tours of the UK, Austria, Germany, Switzerland, France, Holland, Spain, Italy and the Czech Republic.

In January 1969 Simonov made his début at the Bolshoi Theatre in Verdi’s Aida and the following February, after his triumphant performances on tour in Paris, he was appointed Chief Conductor of the Bolshoi Theatre, a position he held for more than fifteen years, a record in the history of this theatre.  His time there included many historical moments in the life of this theatre, the premieres of jewels of the operatic repertoire such as Glinka’s Ruslan & Ludmilla, Rimsky-Korsakov’s The Maid of Pskov, Mozart’s Cosi fan tutte, Bizet’s Carmen, Shostakovich’s The Golden Age, Schedrin’s Anna Karenina and Bluebeard’s Castle and The Wooden Prince by Bartok.  In 1979, Wagner’s Rhinegold marked the composer’s return to the theatre after a 40-year break.

His greatest achievement at the Bolshoi, however, was throughout his tenure there to sustain the highest standards in repertoire performances whilst supporting the vital process of continuous renewal of the artistic forces.  The result of this work was that works such as Boris Godunov (Mussorgsky), Khovanshchina (Mussorgsky), Prince Igor (Borodin), The Queen of Spades (Tchaikovsky), Sadko (Rimsky-Korsakov), The Tsar’s Bride (Rimsky-Korsakov), Cosi fan tutte (Mozart), Don Carlos (Verdi), Petrouchka and the Firebird (Stravinsky) became trademark performances of the theatre.  Every day he dedicated many hours to working with rising talents, providing them with a solid basis for their own professional development and leaving an artistic legacy after departing from the theatre in 1985.  The scale of achievement of Yuri Simonov during this period is impressive enough but the simple statistics speak for themselves:  in any one season, he conducted more than eighty performances of at least ten different works produced under his direction.  At the end of the 1970s Yuri Simonov organised a chamber orchestra of young enthusiasts from the theatre orchestra, a group which toured successfully in its own right in the soviet Union and abroad, engaging such soloists as I. Arkhipova, E. Obraszova, T. Milashkina, Y. Mazurok, V. Malychenko, M. Petukhov, T. Dokshitzer and other significant artists of the time.

Between 1980 and 1990, Simonov undertook performances in major theatres around the world, starting with his début at Covent Garen in Eugene Onegin, followed four years later by La Traviata.  Other Verdi operas include Aida in Birmingham, Don Carlos in Los Angeles and Hamburg, La forza del destino in Marseilles, Mozart’s Cosi fan tutte in Genoa, R.Strauss’ Salome in Florence, Mussorgsky’s Khovantchina in San Francisco, Tchaikovsky’s Eugene Onegin in Dallas, and Queen of Spades in Prague, Paris and Budapest.

In 1982, he received an invitation to conduct a series of concerts with the London Symphony Orchestra, which marked the start of a fruitful relationship. At the same time many symphonic orchestras around the world invited him as a guest conductor and this led to appearances at leading international festivals including Edinburgh, Tanglewood, Paris, Prague Spring and Autumn festivals and Budapest Spring festival.

From 1985-89 he founded and directed a new State symphony orchestra with which he toured the former Soviet Union as well as Italy, Hungary, Poland and Germany.  At the beginning of the 1990s, he was the Chief Guest Conductor of the Buenos Aires Philharmonic Orchestra and from 1994-2002 Music Director of the Belgian National Orchestra.  In 2001, he founded the Liszt-Wagner Orchestra in Budapest where he has been a guest conductor of the Hungarian State Opera for more than 30 years.  The highlights of this relationship were ten operas by Wagner, including all the Ring operas.  Apart from opera performances and many concerts with practically every Budapest ensemble, he also led international masterclasses for conductors in Hungary from 1994-2008, which brought him more than 100 students from 30 countries.  Hungarian television made three films about him.

Maestro has always combined his heavy artistic commitments with teaching.  From 1978-91 he was Professor of opera and symphonic conducting at the Moscow Conservatoire and since 2006 he has been teaching conducting at the St Petersburg Conservatoire and holding masterclasses both in Russia and abroad - in London, Tel Aviv, Almaty and Riga.  To mention some of his students: T.Boganyi, D.Botinis (Sr &Jr), Y.Botnari, J.Brett, L.Harrell, G.Horvath, T.Khitrova, I.Manasherov, V.Moiseev, G.Rincavichus, A.Rubin, Y.Samoylov, D.Sitkovetsky, P.Sorokin, M.Turgumbaev, M.Vengerov,  S.Vlasov,  M.Zoltowski.

Maestro Simonov was also a member of the jury of conducting competitions in Florence, Tokyo and Budapest.  In 2011 and 2015, he chaired the jury of both First and Second All-Russia conductors’ competition in Moscow. At present, he is writing a book on conducting.

Since 1998, Yuri Simonov has been the Artistic Director and Chief Conductor of the Moscow Philharmonic Orchestra.  Under his leadership, this orchestra has regained its former prominence.  Working with this orchestra gave him an opportunity display his characteristics of strong expression and technical dexterity, combined with an ability to establish a deep trust between the audience and the performers and striking theatrical imagery.  During this period, he has prepared more than 200 different programmes, which were played on tours throughout the world as well as in Moscow.  The press response has rarely been less than ecstatic, with remarks such as “Simonov gets out such a breadth of emotion that its close to genius,” (Financial Times), “a towering inspiration to his players,” (The Times). 

The 2008-9 season was celebrated with a special concert series entitled “Ten Years together”.  2010-11 was full with concerts in Moscow and tours in Russia and China but the main highlight were Maestro’s 70th birthday concerts in March 2011 in Moscow, Orenburg and on tour in Spain, Germany and Romania.

As well as performing concerts with the orchestra, Maestro Simonov takes a personal interest in developing the audiences of the future.  He has developed special programmes combining jewels from the literary and musical heritage to appeal to young audiences, using a wealth of material but within themes from the tales of The Sleeping Beauty, Aladdin and Cinderella.  Supporting the work of young musicians is no less important to him - in September 2008, he prepared the Commonwealth Youth Symphony Orchestra and toured with them to Moscow, Baku, Dushanbe, Bishkek and Almaty. 

Always ready to take on new artistic liaisons, in 2010 - 2015 he appeared with the Strasbourg, Bucharest (George Enesco Philharmonic), Sofia and Zagreb Philharmonic Orchestras, with the Brabant Orchestra and Symphony Orchestra of India in Mumbai. 

His repertoire comprises all styles and periods from the Baroque to the present day.  Some highlights of recent premieres are S.Slonimsky’s 27th and 29 th Symphonys, B.Tischenko’s Requiem and Laces of Vologda by K.Bodrov.  His own compilations from stage works by Tchaikovsky, Glazunov, Prokofiev and Khatchaturian have been very popular with audience.

Yuri Simonov, National Artist of USSR (1981), Chevalier of the Russian Order of Merit (2001), Laureate of Music and Arts, Moscow (2008), Conductor of the Year (Music Observer 2005-6), Hungarian Order of Merit (2001), Commander of the Romanian Order of Star (2003), Polish Award for Culture, Russian Order for services to the Fatherland IV Grade  (2011).

His discography includes a wide repertoire produced by EMI, Melodia, Collins Classics, Cypres, Hungaroton, Le Chant du Monde, Pannon Classic, Sonora, and Tring International, and Kultur distributes DVDs of his performances at the Bolshoi Theatre.

Casts & Credits

Composer: Antonin Dvorak
Composer: Ferencz Liszt
Conductor: Yuri Simonov
Composer: Antonin Dvorak
Composer: Ferencz Liszt
Conductor: Yuri Simonov