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	,  - "Bravissimo!" (Opera mix in two parts) - uVisitRussia
	
						

				
				
				


				
				



				
				
				
				
			
			
		
				
			

Home Theaters Moscow Moscow theatre "New Opera" , - "Bravissimo!" (Opera mix in two parts)
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Opera
Moscow theatre "New Opera", Moscow
Duration: 2 hours 20 minutes
World premiere: 22 March 2001

Opera mix in two parts

Created by Natalya Popovich
Conductor Dmitry Volosnikov
Stage Director and Choreographer Ivan Fadeyev
Set Designer Victor Gerasimenko
Costume Designer Maria Danilova
Choirmasters Natalya Popovich, Victor Kuturaev, Andrey Lazarev

Running time: 2 hours 20 minutes with one intermission
Premiered on 22 March 2001

 

The opera mix Bravissimo! was first performed on 22 March 2001 in celebration of the Novaya Opera’s 10th Anniversary. This grandiose costume gala engages practically all the Novaya Opera soloists, chorus and orchestra. The original idea was conceived by Chief Choirmaster Natalya Popovich, and Maestro Evgeny Kolobov, the founder of the theatre, had a hand in implementing it.

 

This is a selection of the 19th-century Russian and West European operas (Song of the Vedenets Merchant from Rimsky-Korsakov’s Sadko, Norma’s cavatina from the Bellini opera, Nemorino’s romance from Donizetti’s L’elisir d’amore), famous romances (Alyabiev’s The Nightingale), chorus arrangements of folk songs (“In the Dark Wood”), and Evgeny Kolobov’s orchestrations (Glinka’s nocturne Parting).

 

Part 1, which consists of Russian classical operatic numbers, reconstructs the atmosphere of the Hermitage Garden in the early 20th century. At that time the place was notable for performances by the legendary musicians Sergey Rachmaninov, Feodor Chaliapin, Leonid Sobinov, Antonina Nezhdanova, the outstanding ballerina Anna Pavlova, the famous actors Sarah Bernhardt and Ernesto Rossi and other European stars. In Part 2, comprised of foreign operatic hits, the sweeping alternation of arias, choruses and ensembles gives traditional numbers an unexpected interpretation.

 

Bravissimo! gives an ironic perspective on opera and, at the same time, it is an expression of our gratitude and our tribute to masters of the theatrical art.