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	,  - "Cinderella" - Gioacchino Rossini (Comic opera in two acts) - uVisitRussia
	
						

				
				
				


				
				



				
				
				
				
			
			
		
				
			

				

					

						




	















	

		
		


	
	
	












	
		


			

				
				

					
Home Theaters Moscow Moscow theatre "New Opera" ,  - "Cinderella" - Gioacchino Rossini (Comic opera in two acts)
			

			
				


    

        

        

        
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"Cinderella" - Gioacchino Rossini (Comic opera in two acts)

        
Opera

	
Moscow theatre "New Opera", Moscow

            

    

            

    





        
    
Go to events list (All venues, -13)



    

        
Duration: 3 hours
World premiere: Moscow theatre "New Opera", 6 October 2011

Neglected and mistreated by her step-family, poor Cinderella dreams of a better life. The magical appearance of her Fairy Godmother restores hope, and all her wishes are granted. Able to take her place amongst the ladies at Prince Charming’s ball, the Prince is enchanted with the beautiful girl. But when the magic fades at midnight and she flees, leaving behind only a slipper –will the Prince find his true love again? And can Cinderella find her happy ending? 
The enduring tale of Cinderella will delight audiences with the beauty and majesty of classical ballet wrapped in the promise of “happily ever after.”
Music Director: Dmitry Volosnikov
Conductor: Dmitry Volosnikov, Yuri Medianik
Stage Director and Set Designer: Victor Gerasimenko
Graphic Designer: Ekaterina Volkova
Computer graphics and animation by Erik Gromilov
Lighting Designer: Aivar Salikhov
Choirmaster: Yulia Senyukova
Performed in Italian with Russian surtitles


 


The idea of the new, original staging of Rossini’s La Cenerentola belongs to the Novaya Opera’s Art Director Victor Gerasimenko, who has not only designed the sets and costumes, but also directed the production. The special feature is three huge screens that display animated pictures: a fantastic garden, pavilions with clouds floating through their pillars, a carriage with a horse, picturesque landscapes, and various symbols and allegories. The singers seem to move from the real stage space into the screen. The computer design replicates the colourful set design. The bright costumes are a stylish compilation of elements belonging to different epochs. And this makes the story of a noble prince and a slovenly poor girl, Cinderella, timeless. The story becomes modern and topical.


The plot of Rossini’s opera differs from Perrault’s fairy tale in that Cinderella has a stepfather instead of a stepmother. The magician Alidoro stands for the fairy godmother. The Prince disguised as a servant meets Cinderella before the ball, while Dandini, the Prince’s servant, impersonates the Prince to test the sincerity of Don Magnifico’s daughters. At the ball Cinderella does not lose a shoe, but gives the Prince a bracelet, which should help find her. The operatic fairy tale is full of magic, disguises and comic situations.
        

    

    

                
    
                    

        

            

                            

            

                            

        

    

	

            

    

			

		





	


	

	

		


			

				

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