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	30 October 2019, 19:00 - Giuseppe Verdi "Macbeth" - uVisitRussia
	
						

				
				
				


				
				



				
				
				
				
			
			
		
				
			

Home Theaters Moscow Stanislavsky theatre 30 October 2019, 19:00 - Giuseppe Verdi "Macbeth"
30October
19:00
2019 | Wednesday
Opera
Stanislavsky theatre, Moscow
Duration: 2 hours 55 minutes
World premiere: Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre, 20 June 2018

Music  Giuseppe Verdi
Libretto  Francesco Maria Piave and Andrea Maffei
Music Director and Conductor  Felix Korobov
Stage Director  Kama Ginkas
Choreographer  Tatiana Baganova
Set Designer  Sergey Barkhin
Costume Designer  Maria Danilova
Lighting Designer  Damir Ismagilov
Principal Chorus Master  Stanislav Lykov
World premiere: March 14, 1847
Teatro della Pergola, Florence

Premiere of the second edition: April 21, 1865
Théâtre Lyrique, Paris

Premiere at the Stanislavsky and Nemirovich-Danchenko
Moscow Academic Music Theatre: June 20, 2018

Cast:

Macbeth Andrey Baturkin, Anton Zaraev, Alexey Shishlyaev
Banco Felix Kudryavtsev, Denis Makarov, Dmitry Ulyanov
Lady Macbeth Larisa Andreeva, Natalia Muradymova, Anna Troitskaya
Macduff Chingis Ayusheev, Vladimir Dmitruk, Najmiddin Mavlyanov
Malcolm Evgeny Liberman, Valery Mikitsky
Lady-in-waiting Ksenia Muslanova, Maria Pakhar
Doctor Mikhail Golovushkin, Ilya Pavlov
Servant Kirill Kapachinskikh, Maxim Osokin
Assassin Alexander Baskin, Maxim Osokin
Herold Dmitry Kondratkov, Ilya Pavlov

Overview

"Macbeth" is the first of the three operas after Shakespeare written by Verdi. In the sanguinary subject the composer found everything that moved and inspired him: big politics, violent human passions and the encounter with phantastical forces of Evil.

Verdi was overwhelmed by the theatrical force of "Macbeth" and called the shakespearian play one of the greatest creations of mankind. Together with Francesco Piave he wrote the libretto and created a forward-looking work that synthetises drama and music. Verdi set down the complex emotional range of every character, subjecting singing to stage action – and as a result created one of the greatest musical tragedies.

While stage directors continue to transpose the action into contemporary settings, Kama Ginkas immerses us in prehistorical times. The space created by Sergey Barkhin evokes a Martian landscape; together with the director the set designer takes the action of a well-known opera outside the framework of familiar associations and allusions. By virtue of this their production abandons ordinary space for the macrocosm of human existence.