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Home Theaters Moscow Bolshoi theatre - Small Stage (Moscow)

Bolshoi theatre - Small Stage (Moscow)

Bolshoi is one of the leading ballet and opera companies in the world. The imposing home of the internationally - famed Bolshoi ballet and opera was constructed in 1824 by Osip Bove, though the company itself was begun in 1773 as a dancing school for the Moscow Orphanage. For much of its history the Bolshoi was overshadowed by the Mariinsky Theater...   Show more
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18
October
Wednesday
Classical ballet
Conductor: Pavel Klinichev
Dancer: Ana Turazashvili
Dancer: Anna Balukova
Composer: Adolphe Adam
Dancer: Yegor Simachev
Dancer: Yulia Grebenshchikova
Dancer: Yuri Ostrovsky
Leading Ballet Soloist: Mikhail Lobukhin

All seats are sold out

19
October
Thursday
20
October
Friday
Classical ballet
Ballet Soloist: Anna Nikulina
Conductor: Pavel Klinichev
Dancer: Alexander Fadeyechev
Composer: Adolphe Adam
Dancer: Vitaly Biktimirov
Dancer: Yegor Simachev
Dancer: Yulia Grebenshchikova

All seats are sold out

26
October
Thursday
28
October
Saturday
Classical ballet
Dancer: Anastasia Vinokur
Dancer: Anton Savichev
Dancer: Yegor Simachev
Soloist: Ivan Vasiliev
From US$266
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Classical ballet
Dancer: Anastasia Vinokur
Dancer: Anton Savichev
Dancer: Yegor Simachev
Soloist: Ivan Vasiliev
From US$405
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Opera
Bass: Goderdzi Janelidze
Bass: Vladimir Komovich
Conductor: Anton Grishanin
Composer: Giacomo Puccini
Soprano: Anna Nechaeva
Tenor: Stanislav Mostovoy
Tenor: Vadim Babichuk
From US$536
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1
November
Wednesday
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
Baritone: Elchin Azizov
Bass: Goderdzi Janelidze
Bass: Vladimir Komovich
Composer: Giuseppe Verdi
Soprano: Dinara Alieva
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2
November
Thursday
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
Baritone: Alexey Markov
Bass: Vladimir Komovich
Conductor: Pavel Klinichev
Composer: Giuseppe Verdi
Tenor: Vadim Babichuk
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3
November
Friday
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
Baritone: Elchin Azizov
Bass: Goderdzi Janelidze
Bass: Vladimir Komovich
Composer: Giuseppe Verdi
Soprano: Dinara Alieva
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4
November
Saturday
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
Baritone: Alexey Markov
Bass: Vladimir Komovich
Conductor: Pavel Klinichev
Composer: Giuseppe Verdi
Tenor: Vadim Babichuk
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5
November
Sunday
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
Baritone: Elchin Azizov
Bass: Goderdzi Janelidze
Bass: Vladimir Komovich
Composer: Giuseppe Verdi
Soprano: Dinara Alieva
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8
November
Wednesday
Opera
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally transla...Show more
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally translated, “thus do they all” suggests that women are easily seduced and quick to fly from the arms of one love to another. The opera was a great success in its day, but for most of the nineteenth through the first half of the twentieth century, its subject matter was deemed too racy for public consumption. Since that time, it has returned to the standard repertoire and, according to recent tabulations, is the eleventh most popular opera being performed today. Full info
Baritone: Konstantin Shushakov
Bass-baritone: Nikolai Kazansky
Conductor: Tugan Sokhiev
Mezzo soprano: Julia Mazurova
Mezzo soprano: Julia Mazurova
Soprano: Anna Aglatova
Tenor: Alexey Neklyudov
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Classical ballet
Khachaturian was just hitting his fiftieth birthday when he produced his music to the ballet Spartac...Show more
Khachaturian was just hitting his fiftieth birthday when he produced his music to the ballet Spartacus. The plot of the ballet had been around for some fifteen years and was suggested to him by a critic called Volkov. The composer finally got to work ‘with a feeling of enormous creative excitement’, but his preparation had been nothing if not extensive. He’d had a blast of a trip around Italy, visiting the very places at the centre of the famous story of a slave rebellion. Despite taking a fair few liberties with the plot, the ballet score won Khachaturian the Lenin Prize in 1954, and was premiered in what is now the Mariinsky Theatre, in St Petersburg, just two years later. By far the most captivating moment comes in Act II when Spartacus manages to free his wife Phrygia and the lovers celebrate with the heart-rending Adagio of Spartacus and Phrygia. Full info
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9
November
Thursday
Opera
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally transla...Show more
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally translated, “thus do they all” suggests that women are easily seduced and quick to fly from the arms of one love to another. The opera was a great success in its day, but for most of the nineteenth through the first half of the twentieth century, its subject matter was deemed too racy for public consumption. Since that time, it has returned to the standard repertoire and, according to recent tabulations, is the eleventh most popular opera being performed today. Full info
Baritone: Alexander Miminoshvili
Baritone: Yuri Syrov
Conductor: Tugan Sokhiev
Soprano: Anastasia Barun
Baritone: Yuri Syrov
Conductor: Tugan Sokhiev
Soprano: Anastasia Barun
Soprano: Olga Seliverstova
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Classical ballet
Khachaturian was just hitting his fiftieth birthday when he produced his music to the ballet Spartac...Show more
Khachaturian was just hitting his fiftieth birthday when he produced his music to the ballet Spartacus. The plot of the ballet had been around for some fifteen years and was suggested to him by a critic called Volkov. The composer finally got to work ‘with a feeling of enormous creative excitement’, but his preparation had been nothing if not extensive. He’d had a blast of a trip around Italy, visiting the very places at the centre of the famous story of a slave rebellion. Despite taking a fair few liberties with the plot, the ballet score won Khachaturian the Lenin Prize in 1954, and was premiered in what is now the Mariinsky Theatre, in St Petersburg, just two years later. By far the most captivating moment comes in Act II when Spartacus manages to free his wife Phrygia and the lovers celebrate with the heart-rending Adagio of Spartacus and Phrygia. Full info
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Was US$630 Now US$536
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10
November
Friday
Opera
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally transla...Show more
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally translated, “thus do they all” suggests that women are easily seduced and quick to fly from the arms of one love to another. The opera was a great success in its day, but for most of the nineteenth through the first half of the twentieth century, its subject matter was deemed too racy for public consumption. Since that time, it has returned to the standard repertoire and, according to recent tabulations, is the eleventh most popular opera being performed today. Full info
Baritone: Konstantin Shushakov
Bass-baritone: Nikolai Kazansky
Conductor: Tugan Sokhiev
Mezzo soprano: Julia Mazurova
Mezzo soprano: Julia Mazurova
Soprano: Anna Aglatova
Tenor: Alexey Neklyudov
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Was US$133 Now US$114
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Classical ballet
Khachaturian was just hitting his fiftieth birthday when he produced his music to the ballet Spartac...Show more
Khachaturian was just hitting his fiftieth birthday when he produced his music to the ballet Spartacus. The plot of the ballet had been around for some fifteen years and was suggested to him by a critic called Volkov. The composer finally got to work ‘with a feeling of enormous creative excitement’, but his preparation had been nothing if not extensive. He’d had a blast of a trip around Italy, visiting the very places at the centre of the famous story of a slave rebellion. Despite taking a fair few liberties with the plot, the ballet score won Khachaturian the Lenin Prize in 1954, and was premiered in what is now the Mariinsky Theatre, in St Petersburg, just two years later. By far the most captivating moment comes in Act II when Spartacus manages to free his wife Phrygia and the lovers celebrate with the heart-rending Adagio of Spartacus and Phrygia. Full info
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Was US$784 Now US$667
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11
November
Saturday
Opera
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally transla...Show more
Cosi Fan Tutte, a comic tale of love tested by deception and seduction. The title, literally translated, “thus do they all” suggests that women are easily seduced and quick to fly from the arms of one love to another. The opera was a great success in its day, but for most of the nineteenth through the first half of the twentieth century, its subject matter was deemed too racy for public consumption. Since that time, it has returned to the standard repertoire and, according to recent tabulations, is the eleventh most popular opera being performed today. Full info
Baritone: Alexander Miminoshvili
Baritone: Yuri Syrov
Conductor: Tugan Sokhiev
Soprano: Anastasia Barun
Baritone: Yuri Syrov
Conductor: Tugan Sokhiev
Soprano: Anastasia Barun
Soprano: Olga Seliverstova
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Was US$133 Now US$114
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Classical ballet
The epitome of Romantic ballet, Giselle is a poignant tale of unrequited love, remorse, and forgiven...Show more
The epitome of Romantic ballet, Giselle is a poignant tale of unrequited love, remorse, and forgiveness. The role of Giselle, often described as the Hamlet of the ballet world, requires an exquisite stylist with daring dramatic and technical skills. Giselle (by Marius Petipa) is one of the world's favorite romantic ballets, and tells the story of a beautiful village girl who falls in love with a powerful Count, who is disguises himself as a fellow villager. When Giselle learns of his deception and that their love will never be, her world falls apart and she descends into madness. Full info
Composer: Adolphe Adam
Choreography: Yuri Grigorovich
Ballet company: Bolshoi Ballet
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12
November
Sunday
Classical ballet
The epitome of Romantic ballet, Giselle is a poignant tale of unrequited love, remorse, and forgiven...Show more
The epitome of Romantic ballet, Giselle is a poignant tale of unrequited love, remorse, and forgiveness. The role of Giselle, often described as the Hamlet of the ballet world, requires an exquisite stylist with daring dramatic and technical skills. Giselle (by Marius Petipa) is one of the world's favorite romantic ballets, and tells the story of a beautiful village girl who falls in love with a powerful Count, who is disguises himself as a fellow villager. When Giselle learns of his deception and that their love will never be, her world falls apart and she descends into madness. Full info
Conductor: Alexei Bogorad
Composer: Adolphe Adam
Choreography: Yuri Grigorovich
Ballet company: Bolshoi Ballet
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15
November
Wednesday
Opera
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex...Show more
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex music. The chilling Grand Inquisitor imposes his will in thunderous, dark-toned music, while the revolutionary Marquis of Posa sings a stirring duet with Don Carlos in praise of freedom. And in Eboli and Elizabeth, Verdi created two of his most sympathetic heroines. Verdi's music masterfully controls the twisting and turning story. Vivid orchestral colours and affecting melodies manipulate his audience to devastating effect: we love, we hate, we turn and sympathise as each note reveals a little more of these complex, charismatic characters. Full info
Baritone: Alexander Utkin
Baritone: Aluda Todua
Baritone: Andrei Kimach
Composer: Giuseppe Verdi
Soprano: Olga Seliverstova
Tenor: Taras Prisyazhnyuk
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16
November
Thursday
Opera
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex...Show more
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex music. The chilling Grand Inquisitor imposes his will in thunderous, dark-toned music, while the revolutionary Marquis of Posa sings a stirring duet with Don Carlos in praise of freedom. And in Eboli and Elizabeth, Verdi created two of his most sympathetic heroines. Verdi's music masterfully controls the twisting and turning story. Vivid orchestral colours and affecting melodies manipulate his audience to devastating effect: we love, we hate, we turn and sympathise as each note reveals a little more of these complex, charismatic characters. Full info
Baritone: Alexander Utkin
Baritone: Aluda Todua
Baritone: Andrei Kimach
Baritone: Elchin Azizov
Composer: Giuseppe Verdi
Soprano: Anastasia Barun
Soprano: Anna Nechaeva
Tenor: Stanislav Mostovoy

All seats are sold out

17
November
Friday
Opera
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex...Show more
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex music. The chilling Grand Inquisitor imposes his will in thunderous, dark-toned music, while the revolutionary Marquis of Posa sings a stirring duet with Don Carlos in praise of freedom. And in Eboli and Elizabeth, Verdi created two of his most sympathetic heroines. Verdi's music masterfully controls the twisting and turning story. Vivid orchestral colours and affecting melodies manipulate his audience to devastating effect: we love, we hate, we turn and sympathise as each note reveals a little more of these complex, charismatic characters. Full info
Baritone: Alexander Utkin
Baritone: Aluda Todua
Baritone: Andrei Kimach
Composer: Giuseppe Verdi
Soprano: Olga Seliverstova
Tenor: Taras Prisyazhnyuk
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Was US$276 Now US$235
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18
November
Saturday
Opera
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex...Show more
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex music. The chilling Grand Inquisitor imposes his will in thunderous, dark-toned music, while the revolutionary Marquis of Posa sings a stirring duet with Don Carlos in praise of freedom. And in Eboli and Elizabeth, Verdi created two of his most sympathetic heroines. Verdi's music masterfully controls the twisting and turning story. Vivid orchestral colours and affecting melodies manipulate his audience to devastating effect: we love, we hate, we turn and sympathise as each note reveals a little more of these complex, charismatic characters. Full info
Baritone: Alexander Utkin
Baritone: Aluda Todua
Baritone: Andrei Kimach
Baritone: Elchin Azizov
Composer: Giuseppe Verdi
Soprano: Anastasia Barun
Soprano: Anna Nechaeva
Tenor: Stanislav Mostovoy
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Was US$310 Now US$264
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19
November
Sunday
Opera
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex...Show more
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex music. The chilling Grand Inquisitor imposes his will in thunderous, dark-toned music, while the revolutionary Marquis of Posa sings a stirring duet with Don Carlos in praise of freedom. And in Eboli and Elizabeth, Verdi created two of his most sympathetic heroines. Verdi's music masterfully controls the twisting and turning story. Vivid orchestral colours and affecting melodies manipulate his audience to devastating effect: we love, we hate, we turn and sympathise as each note reveals a little more of these complex, charismatic characters. Full info
Baritone: Alexander Utkin
Baritone: Aluda Todua
Baritone: Andrei Kimach
Composer: Giuseppe Verdi
Soprano: Olga Seliverstova
Tenor: Stanislav Mostovoy
Tenor: Taras Prisyazhnyuk
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Was US$215 Now US$183
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28
November
Tuesday
Tours of Ballett Zurich
Classical ballet
Ballet company: Ballett Zurich
Choreography: Christian Spuck
Ballet company: Bolshoi Ballet
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Opera
No man can resist Carmen’s gypsy charms, but when she’s ready to move on, watch out! A riveting dram...Show more
No man can resist Carmen’s gypsy charms, but when she’s ready to move on, watch out! A riveting drama of love and jealousy, filled with famously alluring melodies and captivating dances, Carmen is one of the world’s most popular operas. With dazzling bursts of color, a thrilling production brings the sights and sounds of Seville to life, from the dusty town center to the clamor of the bullring. Bizet’s immortal score overflows with one delight after another, a music lover’s hit parade of opera’s most intoxicating melodies. Full info
Baritone: Rauf Timergazin
Bass: Alexander Vinogradov
Bass-baritone: Nikolai Kazansky
Conductor: Tugan Sokhiev
Composer: Georges Bizet
Soprano: Anna Nechaeva
Soprano: Ksenia Dezhneva
Tenor: Taras Prisyazhnyuk
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29
November
Wednesday
Tours of Ballett Zurich
Classical ballet
Ballet company: Ballett Zurich
Choreography: Christian Spuck
Ballet company: Bolshoi Ballet
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Opera
No man can resist Carmen’s gypsy charms, but when she’s ready to move on, watch out! A riveting dram...Show more
No man can resist Carmen’s gypsy charms, but when she’s ready to move on, watch out! A riveting drama of love and jealousy, filled with famously alluring melodies and captivating dances, Carmen is one of the world’s most popular operas. With dazzling bursts of color, a thrilling production brings the sights and sounds of Seville to life, from the dusty town center to the clamor of the bullring. Bizet’s immortal score overflows with one delight after another, a music lover’s hit parade of opera’s most intoxicating melodies. Full info
Baritone: Elchin Azizov
Baritone: Ilya Kutyukhin
Baritone: Konstantin Shushakov
Composer: Georges Bizet
Soprano: Dinara Alieva
Tenor: Stanislav Mostovoy
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1
December
Friday
Opera
Bass: Alexander Korotky
Bass: Dmitry Ulyanov
Bass: Goderdzi Janelidze
Tenor: Stanislav Mostovoy
Tenor: Vadim Babichuk
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5
December
Tuesday
Opera
The Stone Guest is an opera in three acts by Alexander Dargomyzhsky from a libretto taken almost ver...Show more
The Stone Guest is an opera in three acts by Alexander Dargomyzhsky from a libretto taken almost verbatim from Alexander Pushkin's play of the same name which had been written in blank verse and which forms part of his collection Little Tragedies.It was first performed at the Mariinsky Theatre, Saint Petersburg, 16 February 1872.According to the composer's wishes, the last few lines of tableau 1 were composed by Cesar Cui, and the whole was orchestrated by Nikolai Rimsky-Korsakov. Many years later, Rimsky-Korsakov revised his own orchestration of the opera, rewrote a few of Dargomyzhsky's own original passages, and added an orchestral prelude. This version, completed in 1903 and first performed in 1907 at the Bolshoi Theatre, is now considered the standard version. Full info
Conductor: Anton Grishanin
Opera company: Bolshoi Opera
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6
December
Wednesday
Opera
The Stone Guest is an opera in three acts by Alexander Dargomyzhsky from a libretto taken almost ver...Show more
The Stone Guest is an opera in three acts by Alexander Dargomyzhsky from a libretto taken almost verbatim from Alexander Pushkin's play of the same name which had been written in blank verse and which forms part of his collection Little Tragedies.It was first performed at the Mariinsky Theatre, Saint Petersburg, 16 February 1872.According to the composer's wishes, the last few lines of tableau 1 were composed by Cesar Cui, and the whole was orchestrated by Nikolai Rimsky-Korsakov. Many years later, Rimsky-Korsakov revised his own orchestration of the opera, rewrote a few of Dargomyzhsky's own original passages, and added an orchestral prelude. This version, completed in 1903 and first performed in 1907 at the Bolshoi Theatre, is now considered the standard version. Full info
Conductor: Anton Grishanin
Opera company: Bolshoi Opera
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8
December
Friday
Tours of "Ekaterina the Great" ensemble
Opera
Ensemble: "Ekaterina the Great"
Opera company: Bolshoi Opera
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10
December
Sunday
Tours of "Ekaterina the Great" ensemble
Opera
Ensemble: "Ekaterina the Great"
Opera company: Bolshoi Opera
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19:00
7:00 PM
Premiere
Classical ballet
Choreography: Yuri Possokhov
Ballet company: Bolshoi Ballet
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14
December
Thursday
Opera
Baritone: Elchin Azizov
Bass: Gleb Nikolsky
Bass: Vladimir Komovich
Bass-baritone: Nikolai Kazansky
Soprano: Olga Seliverstova
Tenor: Vadim Babichuk
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17
December
Sunday
In the memory of The Alexandrov Ensemble artists, the victims of the plane crash on 25 December 2016
Concert
Composer: Giuseppe Verdi
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23
December
Saturday
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet

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Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
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26
December
Tuesday
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Conductor: Pavel Klinichev
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
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Was US$730 Now US$621
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27
December
Wednesday
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
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Was US$730 Now US$621
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28
December
Thursday
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Conductor: Pavel Klinichev
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
Save15%
Was US$710 Now US$604
View tickets
Book
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Conductor: Pavel Klinichev
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
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Was US$730 Now US$621
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29
December
Friday
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
Save15%
Was US$710 Now US$604
View tickets
Book
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
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Was US$730 Now US$621
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30
December
Saturday
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Conductor: Pavel Klinichev
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
Save15%
Was US$710 Now US$604
View tickets
Book
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Conductor: Pavel Klinichev
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
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Was US$730 Now US$621
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31
December
Sunday
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
Save15%
Was US$730 Now US$621
View tickets
Book
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
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Was US$876 Now US$745
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2
January
Tuesday
2018
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
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Was US$730 Now US$621
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3
January
Wednesday
2018
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Conductor: Pavel Klinichev
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
Save15%
Was US$784 Now US$667
View tickets
Book
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Conductor: Pavel Klinichev
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
Save15%
Was US$710 Now US$604
View tickets
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4
January
Thursday
2018
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
Save15%
Was US$630 Now US$536
View tickets
Book
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
Save15%
Was US$710 Now US$604
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5
January
Friday
2018
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
Save15%
Was US$630 Now US$536
View tickets
Book
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
Save15%
Was US$710 Now US$604
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6
January
Saturday
2018
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
Save15%
Was US$630 Now US$536
View tickets
Book
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
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Was US$710 Now US$604
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7
January
Sunday
2018
Classical ballet
Every year during the Christmas season, thousands of children and their parents visit the theatre to...Show more
Every year during the Christmas season, thousands of children and their parents visit the theatre to see The Nutcracker, probably the all-time favourite in holiday entertainment. The Nutcracker premiered at the Maryinsky Theatre in St. Petersburg, Russia on December 18, 1892. The choreography was by Lev Ivanov after Marius Petipa, who fell ill before beginning to choreograph and passed on his choreographic plan to Ivanov, and the score was composed by Pyotr Ilyich Tchaikovsky. Italian ballerina Antoinetta Dell’Era and Russian premiere danseur Pavel Gerdt performed the lead roles of The Sugar Plum Fairy and Prince Coqueluche. The ballet was performed as a double premiere with Tchaikovsky’s final opera Iolanta. Tchaikovsky was initially reluctant to write the score for The Nutcracker finding the libretto based on E.T.A. Hoffmann’s children’s tale, The Nutcracker and the King of the Mice, lacking in fantasy. Nevertheless, this production would ultimately become Tchaikovsky’s most popular work. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Ballet company: Bolshoi Ballet
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Was US$710 Now US$604
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13
January
Saturday
2018
Classical ballet
There’s a good reason why Swan Lake is so often called the ‘ballet of all ballets’. The combination ...Show more
There’s a good reason why Swan Lake is so often called the ‘ballet of all ballets’. The combination of pure romanticism, the story about love and deception and Tchaikovsky’s famous ballet music all continue to reach new generations of audiences. Swan Lake was Pyotr Il’yich Tchaikovsky's first score for ballet. Its 1877 premiere was poorly received, but it has since become one of the most loved of all ballets. The twinned role of the radiant White Swan and the scheming, duplicitous Black Swan tests the full range of a ballerina's powers, particularly in the two great pas de deux of Acts II and III. Other highlights include the charming Dance of the Little Swans performed by a moonlit lake and sweeping ballroom waltzes in the splendour of the royal palace. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Choreography: Alexander Gorsky
Ballet company: Bolshoi Ballet
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Was US$538 Now US$458
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14
January
Sunday
2018
Classical ballet
There’s a good reason why Swan Lake is so often called the ‘ballet of all ballets’. The combination ...Show more
There’s a good reason why Swan Lake is so often called the ‘ballet of all ballets’. The combination of pure romanticism, the story about love and deception and Tchaikovsky’s famous ballet music all continue to reach new generations of audiences. Swan Lake was Pyotr Il’yich Tchaikovsky's first score for ballet. Its 1877 premiere was poorly received, but it has since become one of the most loved of all ballets. The twinned role of the radiant White Swan and the scheming, duplicitous Black Swan tests the full range of a ballerina's powers, particularly in the two great pas de deux of Acts II and III. Other highlights include the charming Dance of the Little Swans performed by a moonlit lake and sweeping ballroom waltzes in the splendour of the royal palace. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Choreography: Alexander Gorsky
Ballet company: Bolshoi Ballet
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Was US$538 Now US$458
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16
January
Tuesday
2018
Classical ballet
There’s a good reason why Swan Lake is so often called the ‘ballet of all ballets’. The combination ...Show more
There’s a good reason why Swan Lake is so often called the ‘ballet of all ballets’. The combination of pure romanticism, the story about love and deception and Tchaikovsky’s famous ballet music all continue to reach new generations of audiences. Swan Lake was Pyotr Il’yich Tchaikovsky's first score for ballet. Its 1877 premiere was poorly received, but it has since become one of the most loved of all ballets. The twinned role of the radiant White Swan and the scheming, duplicitous Black Swan tests the full range of a ballerina's powers, particularly in the two great pas de deux of Acts II and III. Other highlights include the charming Dance of the Little Swans performed by a moonlit lake and sweeping ballroom waltzes in the splendour of the royal palace. Full info
Choreography: Yuri Grigorovich
Choreography: Marius Petipa
Choreography: Alexander Gorsky
Ballet company: Bolshoi Ballet
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Was US$538 Now US$458
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17
January
Wednesday
2018
18
January
Thursday
2018
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
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19
January
Friday
2018
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
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20
January
Saturday
2018
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
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25
January
Thursday
2018
Classical ballet
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed...Show more
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed with big tunes, dances and a heart-stopping duel. As with his ballets, Tchaikovsky brings many symphonic elements to the music, plush orchestrations and highly melodic arias. Onegin is a uniquely Russian opera with a universality that has made it globally popular. None of the characters are easy to associate with and yet the events and their actions ring horribly true. Full info
Choreography: John Cranko
Ballet company: Bolshoi Ballet
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26
January
Friday
2018
Classical ballet
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed...Show more
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed with big tunes, dances and a heart-stopping duel. As with his ballets, Tchaikovsky brings many symphonic elements to the music, plush orchestrations and highly melodic arias. Onegin is a uniquely Russian opera with a universality that has made it globally popular. None of the characters are easy to associate with and yet the events and their actions ring horribly true. Full info
Choreography: John Cranko
Ballet company: Bolshoi Ballet
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27
January
Saturday
2018
Classical ballet
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed...Show more
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed with big tunes, dances and a heart-stopping duel. As with his ballets, Tchaikovsky brings many symphonic elements to the music, plush orchestrations and highly melodic arias. Onegin is a uniquely Russian opera with a universality that has made it globally popular. None of the characters are easy to associate with and yet the events and their actions ring horribly true. Full info
Choreography: John Cranko
Ballet company: Bolshoi Ballet
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Classical ballet
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed...Show more
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed with big tunes, dances and a heart-stopping duel. As with his ballets, Tchaikovsky brings many symphonic elements to the music, plush orchestrations and highly melodic arias. Onegin is a uniquely Russian opera with a universality that has made it globally popular. None of the characters are easy to associate with and yet the events and their actions ring horribly true. Full info
Choreography: John Cranko
Ballet company: Bolshoi Ballet
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28
January
Sunday
2018
Classical ballet
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed...Show more
Tchaikovsky’s Eugene Onegin is a radiant example of Russian Lyric Opera. A deeply moving tale packed with big tunes, dances and a heart-stopping duel. As with his ballets, Tchaikovsky brings many symphonic elements to the music, plush orchestrations and highly melodic arias. Onegin is a uniquely Russian opera with a universality that has made it globally popular. None of the characters are easy to associate with and yet the events and their actions ring horribly true. Full info
Choreography: John Cranko
Ballet company: Bolshoi Ballet
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31
January
Wednesday
2018
Opera
Le nozze di Figaro had its premiere in 1786 at the Burgtheater in Vienna. Lorenzo da Ponte – with wh...Show more
Le nozze di Figaro had its premiere in 1786 at the Burgtheater in Vienna. Lorenzo da Ponte – with whom Mozart later collaborated on Don Giovanni and Così fan tutte – created the libretto. It was based on Pierre Beaumarchais’ controversial play Le Mariage de Figaro, which was banned in Vienna due to its seditious content. David McVicar’s acclaimed production sets the action in a French chateau in 1830 on the eve of revolution, amplifying the opera’s undercurrents of class tension. The entire household is drawn into the notoriously complex plot, which covers all shades of human emotion: spirited playfulness, such as when Figaro sends Cherubino off to war in ‘Non più andrai’, is combined with heartfelt despair, such as the Countess’s grief at her husband’s infidelity in 'Dove sono i bei momenti'. But affection and fidelity prevail in this most warm-hearted of operas: the Count’s plea for forgiveness in the final act, ‘Contessa, perdono’, is one of the most moving moments in opera. Full info
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15
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Opera
One of the most popular operas by Pyotr Tchaikovsky, The Queen of Spades, was composed in a very sho...Show more
One of the most popular operas by Pyotr Tchaikovsky, The Queen of Spades, was composed in a very short period of time and became a unique masterpiece reflecting its author’s preoccupation. Tchaikovsky accepted the commission to write an opera based on the short story by Alexander Pushkin in 1889. Herman, a poor officer, is desperately in love with Lisa, a heiress to the rich old Countess. One day he learns that the Countess knows the secret of the three winning cards. Herman becomes obsessed with obtaining the secret. He tries to find out the secret, however, the old lady dies of fright. The loss of hope drives Herman mad. Soon the ghost of the Countess appears and names the secret three cards: Three, Seven, Ace. The madman rushes to the casino. Passion overcomes reason: “What’s our life? A game!” The only gain of the miserable lover is death. Full info
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13
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14
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23
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Friday
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20
April
Friday
2018
19:00
7:00 PM
Premiere
Opera
Giuseppe Verdi set aside his project of adapting King Lear – never to be completed – to create the o...Show more
Giuseppe Verdi set aside his project of adapting King Lear – never to be completed – to create the opera that would eventually become Un ballo in maschera. He selected a pre-existing libretto by Eugène Scribe (originally created for French composer Daniel Auber) on the story of the reformist Swedish king Gustav III, who was assassinated at a masked ball in 1792. The subject was not at all to the taste of the notoriously prickly censors in Naples, who in addition to wanting the setting and period changed demanded that the murder take place offstage. Verdi angrily refused, and sought another theatre to stage the work. The considerably more liberal Teatro Apollo in Rome still insisted a fictional setting be used; Verdi had little choice but to relent, and transformed King Gustav into Riccardo, governor of Boston. The opera was first performed on 17 February 1859 and was an immediate success. Full info
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12
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2018
Tours of Sofia Opera and Ballet
Opera
Opera company: Sofia Opera
Opera company: Bolshoi Opera
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13
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Sunday
2018
Tours of Sofia Opera and Ballet
Classical ballet
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18
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2018
19
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2018
21
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23
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2018
10
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24
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2018
Opera
There are few productions in the world of opera that could compete with this lyrical drama. It is no...Show more
There are few productions in the world of opera that could compete with this lyrical drama. It is not pretentious, convoluted or emotional — here, the art of opera and the real world collide. It was not by chance that Puccini turned to the only book by Murger that survived its author: The composer knew the protagonists very well: at times, during his studies at the Milan Conservatory, he too had to go without food, just like them. Later, at the time of success and financial independence, he was a centre of the crowd of artists, painters and writers, nicknamed on his initiative ‘The Bohemian Club.’ The composer conceived the idea of the opera in 1893. The opera was created to an Italian libretto by Luigi Illica (1853-1919) and Giuseppe Giacosa (1847-1906), yet it was Puccini who shaped the plan and sketched the characters of the protagonists, who differ from those in the original. Puccini was absorbed by the opera and started composing it in 1894, when the libretto wasn’t ready yet. Puccini wrote his opera La bohème contemporaneously with Leoncavallo’s own treatment of the same story. The rivalry ended in a quarrel. By the end of 1985 Puccini’s La bohème was ready and received its première on 1 February 1896 in Turin. Full info
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All eventsClassical balletOperaConcert

On 29 November 2002 the Bolshoi was given a New Stage with state-of-the-art sound and lighting equipment and a more intimate atmosphere akin to that of a Tsarist court theatre. And it was here it presented its performances during the years the Historic Stage was undergoing massive reconstruction and refurbishment.

A new scene is built close to the historic building of the Main Stage of Bolshoi, at the left side of it. Together with auxiliary buildings (a restored building of XVIII century, where to rehearsal halls, artists' recreation rooms) have a single theater complex, the Bolshoi Theatre of Russia. A natural hill provides the setting for the Bolshoi Theatre New Stage. Broad marble steps lead up to the entrance. Due to the local topography the three-storey New Stage emerges at the same height as its six-storey older neighbour. From the Observation Platform of the New Stage there's a beautiful view across Theatre Square. The New Stage, along with the annexe wing of rehearsal studios and offices forms the complete arts centre of the Bolshoi Theatre of Russia. The buildings are arranged around a central courtyard in the manner of the Italian Renaissance. Today it's hard to believe that this location was previously occupied by tatty old soviet collectivised apartments.

The orchestra of the Bolshoi Theatre, and its opera and ballet troupes are the pride of Russia's cultural life.
The Bolshoi Theatre is one of the most prominent opera and ballet theatres in the world. It has played a hugely significant role in the development of culture in Russia, and particularly in the development of Russian ballet.

The New Stage opened with the première of a new production of Rimsky-Korsakov's The Snow Maiden, a production which was fully in keeping with the new building's spirit and designation, i.e., it was innovational and experimental.

The Theatre tries to ensure continuity between generations by promoting the artistic development of young people with talent (thus the Youth Opera Programme has been set up to foster and perfect the skills of opera stars of the future). In order to be able to produce productions to the highest standards for presentation at home and at the world’s leading opera and ballet venues, the Bolshoi Company always keeps itself in good creative trim. Another important direction of the Theatre’s work is to introduce the Russian public to the achievements of the world’s great opera and ballet theatres, as well as to invite guest artists to participate in its own creative endeavors.

The Bolshoi Theatre is a symbol of Russia for all time. It was awarded this honor due to the major contribution it made to the history of the Russian performing arts. This history is on-going and today Bolshoi Theatre artists continue to contribute to it many bright pages.