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Mikhailovsky Theater (Saint Petersburg)

Mikhailovsky Classical Ballet and Opera Theatre established 1833) is a St. Petersburg's second largest Ballet and Opera stage. It is best Ballet and Opera stage after the world-famous Mariinsky (Kirov). It is very similar to Mariinsky (Kirov):The Hall is also the hall of the Imperial theatre, beautifully decorated. It was renovated in 2010 and now ...   Show more
All eventsClassical balletOpera
13
August
Friday
Classical ballet
Romeo and Juliet is the most famous ballet by Prokofiev and the most ever popular ballet about love....Show more
Romeo and Juliet is the most famous ballet by Prokofiev and the most ever popular ballet about love. This choreographic version of the tragedy by Shakespeare was first seen on the Mariinsky Theatre stage in 1940. It had been staged by Leonid Lavrovsky, who closely worked with Prokofiev on this production. This is an amazingly touching and thrilling performance. The Daily Telegraph: "From the present day point of view, the production has many positive qualities: the clearly defined story line; the elegant, refined dance, the lyrical duets; the sets by Pyotr Williams, the faded grandeur of which precisely conveys the atmosphere of Renaissance Italy. Here, too, absolute faith and self-giving from the two lovers, from the very depths of their souls, is essential. It is this that is brought to the ballet by the soloists of the Mariinsky Ballet Company. They are stunning; they are of those dancers who, it would appear, know instinctively that they are born for the stage" Full info
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14
August
Saturday
Classical ballet
Romeo and Juliet is the most famous ballet by Prokofiev and the most ever popular ballet about love....Show more
Romeo and Juliet is the most famous ballet by Prokofiev and the most ever popular ballet about love. This choreographic version of the tragedy by Shakespeare was first seen on the Mariinsky Theatre stage in 1940. It had been staged by Leonid Lavrovsky, who closely worked with Prokofiev on this production. This is an amazingly touching and thrilling performance. The Daily Telegraph: "From the present day point of view, the production has many positive qualities: the clearly defined story line; the elegant, refined dance, the lyrical duets; the sets by Pyotr Williams, the faded grandeur of which precisely conveys the atmosphere of Renaissance Italy. Here, too, absolute faith and self-giving from the two lovers, from the very depths of their souls, is essential. It is this that is brought to the ballet by the soloists of the Mariinsky Ballet Company. They are stunning; they are of those dancers who, it would appear, know instinctively that they are born for the stage" Full info
From US$183
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21
August
Saturday
Classical ballet
Romeo and Juliet is the most famous ballet by Prokofiev and the most ever popular ballet about love....Show more
Romeo and Juliet is the most famous ballet by Prokofiev and the most ever popular ballet about love. This choreographic version of the tragedy by Shakespeare was first seen on the Mariinsky Theatre stage in 1940. It had been staged by Leonid Lavrovsky, who closely worked with Prokofiev on this production. This is an amazingly touching and thrilling performance. The Daily Telegraph: "From the present day point of view, the production has many positive qualities: the clearly defined story line; the elegant, refined dance, the lyrical duets; the sets by Pyotr Williams, the faded grandeur of which precisely conveys the atmosphere of Renaissance Italy. Here, too, absolute faith and self-giving from the two lovers, from the very depths of their souls, is essential. It is this that is brought to the ballet by the soloists of the Mariinsky Ballet Company. They are stunning; they are of those dancers who, it would appear, know instinctively that they are born for the stage" Full info
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19
September
Sunday
Classical ballet
Composer: Andrey Petrov
Choreography: Genrikh Mayorov
Ballet company: Mikhailovsky Ballet
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Classical ballet
Composer: Andrey Petrov
Choreography: Genrikh Mayorov
Ballet company: Mikhailovsky Ballet
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21
September
Tuesday
Opera
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady o...Show more
The most lyrical Verdi’s work is La traviata, based on the novel by Alexandre Dumas, fils The Lady of the Camellias. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman Who Goes Astray. The title character of the play is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils. Duplessis was both a popular courtesan and the hostess of a salon, where politicians, writers, and artists gathered for socializing. Alexandre Dumas, père allegedly insisted on his son splitting up with Duplessis: and when he returned to Paris, she had already died of consumption. Since its debut as a play, numerous editions have been performed at theatres around the world. Giuseppe Verdi attended the Paris première of the play and soon turned to composing the opera. When Dumas, fils heard La traviata, he said: “Nobody would have remembered my Lady of the Camellias in 50 years but for Verdi, who made it immortal”. Full info
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22
September
Wednesday
World Ballet Stars Denis Matvienko and Farukh Ruzimatov
Classical ballet
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23
September
Thursday
World Ballet Star Farukh Ruzimatov
Classical ballet
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25
September
Saturday
Classical ballet
Prokofiev’s Cinderella choreographed by Alexei Ratmansky, good and sincere story of Cinderella, Prin...Show more
Prokofiev’s Cinderella choreographed by Alexei Ratmansky, good and sincere story of Cinderella, Prince, Love and basic values of Life, was premierred at the Mariinsky Theatre in March 2002.At the time, Ratmansky was a little-known figure: a Bolshoi-trained dancer who had worked for several western companies and was launching his career as a choreographer. A decade later he is the world's most influential ballet-maker, credited with revitalising classical dance through a series of highly individual productions.His Cinderella is an uneven work which shows evidence of the choreographer's struggle to reconcile highly diverse elements. The Copenhagen Post: "Ratmansky’s production is attractive for its light and playful atmosphere, its irony and its self irony. The choreography successfully combines good traditions with inventiveness. A healthy sense of humour guarantees a “democratic feel” and intelligibility to the performance, the thirst for the acting finds a joyous response from the performers, and the exaggerated attention to stylistics gives the ballet a western gloss." Full info
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26
September
Sunday
Classical ballet
Prokofiev’s Cinderella choreographed by Alexei Ratmansky, good and sincere story of Cinderella, Prin...Show more
Prokofiev’s Cinderella choreographed by Alexei Ratmansky, good and sincere story of Cinderella, Prince, Love and basic values of Life, was premierred at the Mariinsky Theatre in March 2002.At the time, Ratmansky was a little-known figure: a Bolshoi-trained dancer who had worked for several western companies and was launching his career as a choreographer. A decade later he is the world's most influential ballet-maker, credited with revitalising classical dance through a series of highly individual productions.His Cinderella is an uneven work which shows evidence of the choreographer's struggle to reconcile highly diverse elements. The Copenhagen Post: "Ratmansky’s production is attractive for its light and playful atmosphere, its irony and its self irony. The choreography successfully combines good traditions with inventiveness. A healthy sense of humour guarantees a “democratic feel” and intelligibility to the performance, the thirst for the acting finds a joyous response from the performers, and the exaggerated attention to stylistics gives the ballet a western gloss." Full info
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Was US$165 Now US$141
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Classical ballet
Prokofiev’s Cinderella choreographed by Alexei Ratmansky, good and sincere story of Cinderella, Prin...Show more
Prokofiev’s Cinderella choreographed by Alexei Ratmansky, good and sincere story of Cinderella, Prince, Love and basic values of Life, was premierred at the Mariinsky Theatre in March 2002.At the time, Ratmansky was a little-known figure: a Bolshoi-trained dancer who had worked for several western companies and was launching his career as a choreographer. A decade later he is the world's most influential ballet-maker, credited with revitalising classical dance through a series of highly individual productions.His Cinderella is an uneven work which shows evidence of the choreographer's struggle to reconcile highly diverse elements. The Copenhagen Post: "Ratmansky’s production is attractive for its light and playful atmosphere, its irony and its self irony. The choreography successfully combines good traditions with inventiveness. A healthy sense of humour guarantees a “democratic feel” and intelligibility to the performance, the thirst for the acting finds a joyous response from the performers, and the exaggerated attention to stylistics gives the ballet a western gloss." Full info
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Was US$196 Now US$167
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All eventsClassical balletOpera

In 2001, the Mikhailovsky Theatre got its original name back. Year 2007 witnessed the revival of the Mikhailovsky Theatre; its magnificence came back to Arts Square. Nowadays, the Theatre both keeps traditions and introduces innovations. 

General Director of the Theatre Vladimir Kekhman initiated and sponsored the repair works in the building. Under Vladimir Kekhman a constellation of famous artists appeared in the theatre: Elena Obraztsova became the head of the Mikhailovsky Opera, Farukh Ruzimatov took the lead of the Mikhailovsky Ballet Company.In May 2009, Mikhail Messerer, the outstanding ballet repetiteur, took the position of Ballet Mater in Chief. In June 2009, the Mikhailovsky Theatre started its cooperation with Peter Feranec who was later appointed Music Director and Principal Conductor of the Theatre.

On 1 January 2011 the new Artistic Director of the Mikhailovsky Ballet, the famous Spanish choreographer Nacho Duato took the lead of the company.Nowadays Farukh Ruzimatov and Elena Obraztsova continue their cooperation with the Mikhailovsky Theatre as Artistic Advisors to General Director of the Mikhailovsky Theatre.Famous ballet repetiteurs such as Nikita Dolgushin, Alla Osipenko, Evgeny Popov, and Svetlana Efremova among many others are responsible for the quality of the current repertoire. Leading ballet masters of Europe and America such as Natalia Makarova, Jennifer Goube, Gilbert Mayer, and Cyril Atanasoff hold master classes at the theatre. The priorities of the repertoire policy of the Mikhailovsky Theatre are classical masterpieces of Russian and European musical theatre. The Mikhailovsky Theatre maintains the policy of introducing the public to the major opera and ballet works of the 19th and 20th century. Special attention is paid to expanding children repertoire. 

The first performance on the stage of the Emperor's MikhailovskyTheatre, just built by the architect A.Brullov, took place 8 November 1833.The brilliantly suitable to the architectural ensemble of Michailovskaya square building became the third Emperor stage in Saint Petersburg. But differently from its neighbors - the Mariinsky and Alexandrovsky theatres - this stage did not have its own troupe and definite repertoire and genre tendency. Firstly the theatre building was mainly used as a concert hall. But, to tell the truth, there were opera performances among drama performances and musical comedies performed by the troupe of the Alexandrinsky theatre or coming French and German actors. There were they who noted the necessity of enlarging the sizes of stage and hall. Followed in 1859 rebuilding made the inner shapes of the theatre similar to the requirements for scale opera and ballet performances. until that moment when musical performances were constant at Mikhailovsky stage, it was long time. The French drama troupe and the German competitor. Seldom opera performances at Mikhailovsky stage were organized mainly with the help of the Emperor Russian opera (the Mariinsky theatre). In connection with the repairing of Mariinka in 1894 opera performances became often, the tradition of every Sunday opera performances was set up, but later it disappeared.But The Great October Revolution changed the fortune of the theatre a lot. After the French troupe leaving the Mikhailovsky stage, the problem of forming the own theatre troupe. Under the initiative of A.V.Lunacharsky the theatre was to be the second opera theatre in Petrograd. "Born by revolution"-this title was the characteristics of a new opera troupe for a long time which really became forming in 4 months after the establishment of the Soviet power.