QUERY: (SELECT tmp.*, tt.code, tt.name, tp.code as perf_code, tp.name as perf_name, date_format(tmp.date, '%e,%M,%W') as date_first,  date_format(tmp.time, '%k:%i') as time_column, IF(tp.description='',tp1.description,tp.description) as description, tp.description_full, tp.id_perfomancetype, IF(year(curdate())=year(tmp.date),'',year(tmp.date) ) as year, tt.ves as ves, date_format(tmp.time, '%l:%i %p') as time_column1, datediff(tmp.date, curdate()) as offset, tt.address FROM U_ticketsTmp tmp LEFT JOIN ticket_theatre tt ON tt.id=tmp.theatre_id LEFT JOIN ticket_perfomances tp ON tp.id=tmp.perf_id LEFT JOIN ticket_perfomances tp1 ON tp1.id=tp.id_base WHERE 1=1 AND tt.show2=1  AND tmp.date >=curdate()  AND tmp.id IN (-1)) ORDER BY date ASC, ves DESC, time ASC LIMIT 10
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	Pierre Alain Bertola (Set  Designer) - uVisitRussia
	
						

				
				
				


				
				



				
				
				
				
			
			
		
				
			
Home Theaters Pierre Alain Bertola (Set Designer)

Pierre Alain Bertola (Set Designer)

Pierre-Alain Bertola began his career as an architect. In 1988 he started working with graphics and illustrations. He subsequently published two albums of comic strips with the Paris-based publishers Futuropolis/Gallimard before illustrating a series of books for the Journal de Genиve for the Geneva-based Joie de lire and the Paris-based Autrement. His drawings have been exhibited in galleries and museums both in Switzerland and throughout the world; his participation in the exhibition XX Comix at the Swiss Cultural Centre in Paris in 1997 is worthy of particular mention.
Being highly skilled in various spheres of the applied arts has helped Pierre-Alain Bertola to design many museum exhibitions. The most recent, Help, was organised by the International Museum of the Red Cross and came to a close in January 2005. Together with the Atelier Bontron et Co he created the scenery for the Rolex Award for Enterprise prize-giving ceremony in 1999 and 2002 in New York and for the Rolex Mentor and Protege Arts Initiative prize-giving ceremony in 2003 and 2005, also in New York. Be it books, exhibitions or set designs, Bertola always imbues his work with a poetic feel. His sets for Alain Maratratґs production of Il viaggio a Reims at the Mariinsky Theatre are his first work in the opera genre.