QUERY: (SELECT tmp.*, tt.code, tt.name, tp.code as perf_code, tp.name as perf_name, date_format(tmp.date, '%e,%M,%W') as date_first,  date_format(tmp.time, '%k:%i') as time_column, IF(tp.description='',tp1.description,tp.description) as description, tp.description_full, tp.id_perfomancetype, IF(year(curdate())=year(tmp.date),'',year(tmp.date) ) as year, tt.ves as ves, date_format(tmp.time, '%l:%i %p') as time_column1, datediff(tmp.date, curdate()) as offset, tt.address FROM U_ticketsTmp tmp LEFT JOIN ticket_theatre tt ON tt.id=tmp.theatre_id LEFT JOIN ticket_perfomances tp ON tp.id=tmp.perf_id LEFT JOIN ticket_perfomances tp1 ON tp1.id=tp.id_base WHERE 1=1 AND tt.show2=1  AND tmp.date >=curdate()  AND tmp.id IN (-1)) ORDER BY date ASC, ves DESC, time ASC LIMIT 10
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	Boris Kaminsky (Designer) - uVisitRussia
	
						

				
				
				


				
				



				
				
				
				
			
			
		
				
			

				

					

						




	















	

		
		


	
	
	












	
		


			

				
				

					
Home Theaters Boris Kaminsky (Designer)
			

																
Boris Kaminsky (Designer)

														
				


        




    

        
Biography

Born in Ryabinsk. In 1980, he finished his studies at the Leningrad V.A. Serov Institute of Art. In the same year, he entered the production faculty of the Leningrad State Institute of Theatre, Music and Cinema (M. Smirnov‘s class).

On graduating from the Institute, he joined the Bryansk A.K. Tolstoy Drama Theatre (designing Constant Wife after Somerset Maugham; and Shteyn‘s Ocean).

From 1987-90, he was principal designer for the Tyumen Drama Theatre where he did the sets for the following, among other, productions: Erdman‘s The Suicide, Moliere‘s Don Juan, Crane Feathers (Japanese tale), Galin‘s Stars on the Morning Sky.

Then he worked for different St. Petersburg theatres: designing Ostrovsky‘s Talents and Admirers (Lensoviet Theatre), A Christmas Story with a Ghost after Dickens (Theatre on the Liteynoy) and other productions.

At the Maryinsky Theatre, he took part in the reconstruction of The Sleeping Beauty and La Bayadere.

He worked on the following operas: Semyon Kotko, Otello, The Legend of the Invisible City of Kitezh.

He revived Pyotr Vilyams‘ sets for Eugene Onegin for the Bolshoi Theatre‘s production.

He has worked as designer in Czechia (Le Corsaire, Coppelia - the latter production was cancelled), and in Bosnia (Swan Lake).        

    

    

            


			

		





	


	

	

		


			

				

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