12 June 2016, 19:00 - Peter Tchaikovsky "Yevgeny Onegin" (concert performance)

Home Theaters Moscow Tchaikovsky Concert Hall 12 June 2016, 19:00 - Peter Tchaikovsky "Yevgeny Onegin" (concert performance)

12June

19:00

2016 | Sunday

Peter Tchaikovsky "Yevgeny Onegin" (concert performance)

Opera

Tchaikovsky Concert Hall, Moscow

Go to events list (All venues, -20)

Duration: 2 hours

World premiere: Bolshoi Theatre, Moscow, Russia, 11 January 1881

PROGRAM:

P. Tchaikovsky
Opera "Yevgeny Onegin"

The State Academic Symphony Capella of Russia is a unique collective with more than 200 artists. It unites the choir, the orchestra and soloists-vocalists, who, while living in an organic unity, retain at the same time a certain creative independence.
The State Capella was founded in 1991 with the merger of the State Chamber Choir of the USSR under the leadership of Valery Polyansky and the State Symphony Orchestra of the USSR Ministry of Culture headed by Gennady Rozhdestvensky.
Both teams underwent a glorious creative path. The orchestra originated in 1957 and until 1982 was the orchestra of the All-Union Radio and Television, since 1982 - the State Symphony Orchestra of the Ministry of Culture of the USSR. At different times he was led by S. Samosud, Yu. Aranovich and M. Shostakovich. Chamber chorus was created by V.Polyansky in 1971. Since 1980 the collective has received a new status and began to be called the State Chamber Choir of the Ministry of Culture of the USSR.
With a chorus, Valery Polyansky traveled all over the republics of the USSR, initiated the festival in Polotsk, in which Irina Arkhipova, Oleg Yanchenko, and the Ensemble of Bolshoi Theater soloists participated ... In 1986, at the invitation of Svyatoslav Richter, Valery Polyansky and his choir presented a program of works by P. I. Tchaikovsky at the festival "December Evenings", and in 1994 - "All-Night Vigil" by S. V. Rachmaninov. At the same time, the State Chamber Choir declared about itself and abroad, triumphantly performing with Valery Polyansky at the festivals "Singing Wroclaw" (Poland), in Merano and Spoleto (Italy), Izmir (Turkey), in Narden (Holland); memorably participate in the famous "Promenade Concerts" in Albert Hall (Great Britain), performances in the historic cathedrals of France - in Bordeaux, Amiens, Albi.
Birthday of Goskapelli - December 27, 1991: then in the Great Hall of the Conservatory the cantata Antonina Dvorak "Wedding Shirts" was performed under the direction of Gennady Rozhdestvensky. In 1992, Valery Polyansky became artistic director and chief conductor of the Russian State Gas Committee. The activity of the choir and orchestra of the Capella is carried out both in joint performances and in parallel. The collective and its chief conductor are welcome guests at the best venues in Moscow, regular participants of the Moscow Philharmonic, Moscow Conservatory and Moscow International House of Music concerts, and they performed with the finalists of the international Tchaikovsky and Rakhmaninov contests. The Chapel triumphed in the USA, England, Italy, Germany, the Netherlands, in the countries of Southeast Asia.
The basis of the collective repertoire is cantata-oratorial genres: Masses, oratorios, requiems of all eras and styles - Bach, Handel, Haydn, Mozart, Schubert, Berlioz, Liszt, Verdi, Dvorak, Rachmaninov, Reger, Stravinsky, Britten, Shostakovich, Schnittke, Eshpai . Valery Polyansky constantly conducts monographic symphonic cycles dedicated to Beethoven, Brahms, Rachmaninov, Mahler and other great composers.
Many Russian and foreign artists collaborate with the Capella. Especially close and long-term creative friendship connects the team with Gennady Nikolayevich Rozhdestvensky, who annually presents his personal philharmonic subscription with Goskapel of Russia.

In recent years, the team has developed its own scheme in the construction of the season. Its extreme points are devoted to performances in small towns. Since 2009 in Tarusa, the Capella has hosted the "September Evenings" festival (together with the Svyatoslav Richter Foundation), introduces the masterpieces of symphonic and choral music of Torzhok, Tver, Kaluga. In 2011, Elets was added, where the world premiere of Alexander Tchaikovsky's opera "The Legend of the City of Yelets, Virgin Mary and Tamerlane" was staged in the direction of director George Isahakian. "We do not need a lot of words about patriotism," Polyansky formulated his position. "Young people simply need to hear this music that inspires love for their homeland. Crime, that there are cities where people have never heard a live symphony orchestra, have not seen opera productions. We are trying to correct this injustice. "
The repertoire policy of the State Capella also reflects the most important dates in world history. On the 200th anniversary of the victory in the Patriotic War of 1812, a concert performance of the opera War and Peace by Prokofiev took place in Torzhok and Kaluga, and the world premiere of the oratorio Gosudarevo delo by A. Tchaikovsky (2013, Lipetsk, Moscow), and on the New Stage of the Bolshoi Theater sounded "Life for the Tsar" M. Glinka.
A landmark event in 2014 was the concert performance by Goskapella of the rare-sounding opera "Semen Kotko" by Prokofiev, which took place on the New Stage of the Bolshoi Theater and at the Central Academic Theater of the Russian Army and was dedicated to the 100th anniversary of the outbreak of World War I. On these same sites the collective celebrated the 70th anniversary of the Great Victory with the performance of K. Molchanov's opera "The Dawns Are Quiet".
Intensive tours of the State Capella are taking place. The highest performing skill of the orchestra was applauded by the British public during the autumn tour of 2014. "There are conductors who think Tchaikovsky's Fifth Symphony is too famous and perform it like on autopilot, but Polyansky and his orchestra were simply magnificent. The music of Tchaikovsky, of course, entered the flesh and blood of this collective; Polyansky played this immortal masterpiece the way I'm sure Tchaikovsky would like to hear it himself, "noted British critic and composer Robert Matthew Walker.
In 2015, concerts of the band in the USA, Belarus (the Spiritual Music Festival "Mighty God") and Japan were held with triumph, where the public appreciated the interpretation of V.Poliansky's three last symphonies by Tchaikovsky.

Valeri Polyansky was born in 1949 in Moscow. After completing the musical college Polyansky enters the Moscow Conservatoire, starting his studies with professor B.I.Kulikov (choral conducting). At this time Polyanky’s interests went far beyond his basic specialty: he was attracted first of all by that special powerful musical synthesis, which appears while merging choir with orchestra. Polyansky attends simultaneously two different faculties: besides taking choral conducting he attends symphonic conducting (his teacher here was the well-known musician O.Dimitriadi). During his post-graduate course the fate brings him together with Gennady Rozhdestvensky. While being a student, Valeri Polyansky works in the Operetta Theatre, where he conducts the main repertoire.

In 1977 he was invited as a conductor to the Bolshoi Theatre where together with Gennady Rozhdestvensky took part in the production of Shostakovich’s opera “Katerina Izmailova”. While being at the head of the State Chamber Choir, Polyansky productively worked with the leading symphonic collectives both in Russia and abroad. He repeatedly performed with orchestras of Belarus, Iceland, Finland, Taiwan, Turkey, Germany and Holland. He also conducted the Tchaikovsky’s opera “Eugene Onegin” at the Goteborg Musical Theatre in Sweden. For many years he is Chief Conductor of the Opera Nights Festival in Goteborg.

Since 1992 he is Chief Conductor and Artistic Director of the State Symphony Capella of Russia both symphonic orchestra and choir, numbering more than 200 artists. According to specialists marks, Polyansky’s creative practice is a rare example of a musician who combines skillful technique of choral and symphonic conducting.

In the repertoire of the State Symphony Capella there are works of different stylistic trends and currents: baroque, classics, romanticism, impressionism and contemporary works. And in all cases, as music critics emphasize, musicians led by Polyansky succeed in achieving accuracy and clearness of style, while remaining faithful to the spirit of the composition they perform.

Polyansky boasts a great number of musical recordings with the leading international recording labels. Among them are compositions by Tchaikovsky, Taneev, Glazunov, Skryabin, Bruckner, Dvorak, Reger, Prokofiev, Schostakovich and many others. Polyansky has also recorded all symphonic and choral compositions by S.Rachmaninov, and the 8th Symphony by A.Schnittke, issued by English firm Chandos in 2001, which was awarded “Best Recording of the Year”.

Elena Evseeva was born in Moscow. In 1988 she graduated from the Moscow Musical College named after M.Ippolitov-Ivanov, in 1993 - the Russian Academy of Music named after Gnesins (class N.Spiller). Twice practiced in Italy with Carlo Bergonzi and Mietta Sigele. The winner of the All-Russian Vocal Competition in Belgorod (1990, First Prize), the All-Union Glinka Vocalists Contest (1991, Third Prize), Vincenzo Bellini International Vocalists Competition (Sicily, 1992, Third Prize), Stanislav Moniuszko International Vocal Competition (Warsaw, 1992, the Ada Sari Award).
She performed on the stage of the Moscow Academic Music Theater named after Konstantin Stanislavsky and Vl.Nemirovich-Danchenko and the Moscow Theater "New Opera" under the guidance of Evgeny Kolobov. Since 1994, she has been a guest soloist of the State Academic Bolshoi Theater of Russia.
In the repertoire of Elena Evseeva in the Bolshoi Theater of the party: Leonora ("Troubadour" by G. Verdi), Emma (Khovanshchina by M. Mussorgsky in the editorial office of D. Shostakovich, the first singer in the Bolshoi Theater), Musette, Mimi ("La Boheme" J.Puccini ), Violetta (La Traviata by G. Verdi), Martha (The Tsar's Bride of N. Rimsky-Korsakov), Ksenia (Boris Godunov by M. Mussorgsky), Iolanta (Iolanta P. Tchaikovsky), Antonida (Life for the Tsar "by M. Glinka), Kupava (" The Snow Maiden "by N. Rimsky-Korsakov), Countess Rosina, Suzanne (" The Wedding of Figaro "by WA Mozart), Adrienne (Adrienne Lecouvreur by F. Cilea), F Wrona ( "Legend of the Invisible City of Kitezh" by Rimsky-Korsakov).
Also in the repertoire of the singer of the party in the operas Othello, Aida, Ball Masquerade by G. Verdi, Manon Lescaut, Edgar by J. Puccini, Ruslan and Lyudmila by M. Glinka, Prince Igor Borodin, Eugene Onegin, The Queen of Spades by P. Tchaikovsky, Francesca da Rimini by S. Rachmaninoff.
Elena Evseeva toured extensively abroad. In 1999 she became a guest soloist at the New York Metropolitan Opera Theater, where she made her debut in the opera Othello in Desdemona's party. Later she performed the roles of Amelia Grimaldi (Simon Boccanegra), Elizabeth (Don Carlos), Mimi (Bohemia), the title role in the opera The Mermaid by A. Dvorak. In 2006 she sang the role of Maria (Mazepa) in the premiere series of performances (conducted by Valery Gergiev). She took part in productions of the operas Iolanta and Francesca da Rimini in Germany (Chemnitz and Dresden, directed by Peter Ustinov). In Berlin, first performed the "Jewish Requiem" M. Bronner.
In 2001, she performed the part of Musette (La Bohème) at the Paris National Opera and on the stage of the Opera Bastille (among partners - Angela Gheorghiu and Roberto Alagna), Tatiana's party (Eugene Onegin at the Rome Opera and Metropolitan Opera (conducted by Vladimir Yurovsky) ), with the San Francisco Symphony Orchestra (conducted by Michael Tilson Thomas), a soprano part in the "Wedding Party" by I. Stravinsky in New York at the Carnegie Hall, in 2002 she performed the part of Yaroslavna in the opera "Prince Igor" by A. Borodin in the Rennes Opera (Strasbourg) In 2007, she sang Desdemona in the opera of Bonn Jer Roman Kofman), in 2008 - the same party at the Los Angeles Opera (conductor James Conlon).

Lyudmila Kuznetsova - soloist of the State Academic Symphony Chapel of Russia since the foundation of the group, Honored Artist of Russia.
Lyudmila Kuznetsova was born in Sverdlovsk. She studied at the RAM. Gnesinyh (class V. Gromova), trained at the Ural State Conservatory. She graduated from the School of Higher Opera in Italy (from R. Scotto). Diploma of the contest of vocalists "Belvedere" in Vienna (1996).
Participated in all foreign tours of the chapel. Performed leading mezzo-soprano parts in concert productions of operas "Louise Miller" and "Troubadour" Verdi, "André Chenier" Giordano, "La Gioconda" Ponchielli, La Boheme Leoncavallo, "Enchantress", "Cherevichki", "Mazepa" Tchaikovsky, " Christmas Eve "by Rimsky-Korsakov," Sorochinskaya Fair "by Mussorgsky," La Boheme "by Puccini, Stravinsky's" Oedipus ", War and Peace by Prokofiev, Gesualdo by Schnittke, and also by the vocal symphonic works of Bach, Mozart, Beethoven, Rossini, Berlioz, Verdi, Dvorak, Bruckner, Mahler and other authors.
Lyudmila Kuznetsova acted as a soloist with the orchestra led by G. Rozhdestvensky at the opening of the festival in Toronto, as well as at festivals in Prague, Belgrade, etc.

Ksenia Dudnikova (mezzo-soprano)

She graduated from the Krasnodar Music and Pedagogical College (conductor and choir department) and the Moscow Conservatory (class of Clara Kadinskaya). Since 2011 - soloist of the opera company of the Stanislavsky and Nemirovich-Danchenko Musical Theater.
In the repertoire of Dudnikova - the party Neris ("Medea" Cherubini), Martha (Khovanshchina "Mussorgsky), Carmen (Carmen" Bizet), Niklaus ("The Tales of Hoffmann" Offenbach), Amneris ("Aida" Verdi), Olga Onegin "by Tchaikovsky), Dorabella (" So do all women "by Mozart), Helen Bezukhova (War and Peace by Prokofiev), Zulma (Italian in Algeria by Rossini), Suzuki (Madama Butterfly Puccini) and others.
With the Symphony Chapel led by Valery Polyansky participated in the concert performance of the operas "Life for the Tsar" Glinka (Vanya Party) and "Semyon Kotko" Prokofiev (Frosi Party). At the Festival of Sacred Music in Riga with the Symphony Orchestra of the Riga Philharmonic and the State Choir, Latvia performed the mezzo-soprano part in Verdi's Requiem (conducted by Andris Poga, 2013) and the mezzo-soprano part in Te Deum Penderecki (conducted by Alexander Humala, 2014) .
In 2014 she became the nominee for the Russian National Theater Award "Golden Mask" for the performance of Amneris ("Aida" Verdi) in the season 2013/14 (conducted by Felix Korobov, director Peter Stein).
In 2016, Xenia made her debut on the stage of the Bolshoi Theater of Russia (the Maddalena Party in the opera Verdi's Rigoletto, staged by Robert Karsen), where she soon performed Margarita's part in the premiere of Berlioz's dramatic legend "The Condemnation of Faust" (conductor Tugan Sokhiev, director Peter Stein).
In 2017, she made her debut on the stage of the Royal Opera House Covent Garden (London) in the Princess Bouillon party ("Adriana Lecouvreur" Cilea). In August, he makes his debut at the Salzburg Festival (Sonnetki's party in the opera Lady Macbeth of Mtsensk, conductor Maris Jansons, directed by Andreas Kriegenburg).

Peter Sokolov was born in Irkutsk. In 2010 he graduated from the F. Chopin Irkutsk College of Music, in 2015 - the Russian Academy of Music named after the Gnesins (class of Professor A. A. Naumenko). Currently, she studies with NA Popova, assistant professor of the Academy of Choral Art.
In 2012 he became a soloist of the Moscow State Academic Children's Musical Theater named after NI Sats. With the troupe of the Theater toured in Ireland, France and Italy.
Since 2016 - soloist of the State Academic Symphony Chapel of Russia and the Moscow Academic Musical Theater named after Konstantin Stanislavsky and Vl. I. Nemirovich-Danchenko. In the repertoire of the singer, the title roles in operas "Eugene Onegin" by P. Tchaikovsky and Don Juan by WA Mozart, the Escamillo party in Carmen by J. Bizet, Sharples in "Madame Butterfly" by G. Puccini, Woodward in the opera "Adventures foxes-cheats "by L. Janáček, Ebn-Hakia in" Iolanta "by P. Tchaikovsky, Andrei Bolkonsky in" War and Peace "by S. Prokofiev, Barnaba in" La Gioconda "by A. Poncielli, Gerard in" André Chenier "by W. Giordano and others.
Peter Sokolov performed at the Champs-Élysées Theater in Paris (the party of Polkan in the opera The Golden Cockerel by N. Rimsky-Korsakov), the Grand Canal Theater in Dublin (Escamillo in Carmen and Sharplles in Madame Butterfly), sang the part of Don Juan in Pinerolo (Italy). Participated in the premiere of the opera "Hercules" by GF Handel in the Bashkir Theater of Opera and Ballet in Ufa (the title part).
He collaborated with conductors Valery Polyansky, Eugene Brazhnik, Alevtina Ioffe, directors - Dmitry Bertman, Georgy Isahakian and others.
Winner of the Vox Artis Moscow International Vocal Competition (2015), winner and winner of the special prize of the L. Sobinov Competition in Saratov, winner of the International Opera Contest of Galina Vishnevskaya in Moscow (2016).

Maxim Pasteur was born in 1975 in Kharkov, where he graduated from the conductor-choir department of the music school and the vocal department of the State Institute of Arts (class of Professor L. Tsuran).
Laureate of international competitions: the name of P. Tchaikovsky (Moscow, 2007), A. Dvorak (Karlovy Vary, Czech Republic, 2000), "The Amber Nightingale" (Kaliningrad, 2002), A. Solovyanenko "Nightingale Fair" (Donetsk, 2002) and the name of B. Gmyry (Kiev, 2004).
In 2002-2003 Maxim Pasteur was a soloist of the Kharkov State Opera and Ballet Theater. In 2003, he made his debut at the National Opera of Ukraine named after T. Shevchenko (Kiev) in Verdi's Requiem, as well as at the Bolshoi Theater of Russia in the Bayan Party at the premiere of the opera "Ruslan and Lyudmila" by M. Glinka. Since the beginning of the 2004/05 season - the soloist of the Bolshoi Theater.
Already in the first years of his work, Maxim Pasteur participated in projects that were symbolic for the Theater: the Russian premiere of the first edition of the opera The Flying Dutchman by R. Wagner (the Party of the Helmsman) and the world premiere by Leonid Desyatnikov (Tchaikovsky's party), commissioned by the Bolshoi Theater of the Children of Rosenthal, . Later, in his repertoire, the Bolshoi Theater included many leading parties: Pinkerton and Rudolph in operas Madama Butterfly and La Boheme by G. Puccini, Macduff in Macbeth by G. Verdi, Andrei in Mazepa by P. Tchaikovsky, Tsar Berendey in "Snow Maiden" and Lykov in "The Tsar's Bride" N. Rimsky-Korsakov, Shuisky in Boris Godunov by M. Mussorgsky, Mephistopheles in S. Prokofiev's The Fiery Angel, Truffaldino in S. Prokofiev's Love for Three Oranges, Zinovy Borisovich in "Lady Macbeth of Mtsensk" D. Shostakovich, Captain in "Wozzeck" A. Berg and others.
At the invitation of the State Academic Symphony Chapel of Russia (art director - Valery Polyansky) Maxim Pasteur participated in concert performances of the opera-oratorio I. Stravinsky "King Oedipus" (Oedipus Party), the operas "Tales of Hoffmann" by J. Offenbach (Hoffmann), "La Traviata" J. Verdi (Alfred), "Mermaid" A. Dvorak (Prince) and in other projects.
The repertoire of the singer also includes the following parts: Lensky (Eugene Onegin by P. Tchaikovsky), Mozart (Mozart and Salieri by N. Rimsky-Korsakov), Duke (Rigoletto by G. Verdi), Nemorino ("The Love Drink" by G. Donizetti ), Paolino (The Secret Marriage of D. Cimarosa), Don Ottavio (Don Juan by WA Mozart), Lucentio (The Taming of the Shrew) by V. Shebalin).
In the concert repertoire of M. Pasteur - tenor parties in the Mass in B minor and "Passion for Matthew" by JS Bach, Requiem and "Coronation Mass" by WA Mozart, Requiem G. Verdi, A. Salieri, A. Dvorak, E. Lloyd-Webber, the masses of J. Haydn, F. Schubert, "Solemn Mass" by L. van Beethoven, "The Little Mass" and Stabat Mater J. Rossini, Stabat Mater A. Dvorak, "The Bells" by S. Rachmaninov, " "Pulcinella" by I. Stravinsky, cantata-oratorio compositions of G. Berlioz, A. Bruckner, G. Donizetti, F. Mendelssohn, J. Bizet, L. Janacek, S. Prokofiev, B. Britten.
As an opera and concert singer, Maxim Pasteur performed in the theaters of San Carlo in Naples, Comunale in Bologna, Verdi in Trieste, theaters of Cagliari and Toulouse, Dresden Semperoper, Leipzig Gewandhaus, theaters of Weimar, Gothenburg and Santiago. As part of the Bolshoi Opera Company and as a guest soloist, he toured to Great Britain, Germany, Greece, Sweden, Spain, France, Slovenia, Finland, Latvia, China, USA, Canada.

He is an invited soloist of the Moscow Musical Theater "Helikon-Opera", on the stage of which he made his debut in September 2013, brilliantly performing the part of Richard in Verdi's opera "The Ball-Masquerade". He also sings in the opera Boris Godunov Mussorgsky (the party of Shuisky).
The participant of the project "The Parade of Tenors" ("Tenor of the XXI Century"), in which he performs in many cities of Russia and abroad.
Maxim Pasteur took part in the festivals "Irina Arkhipova presents ...", "Slavonic Bazaar", Yuri Bashmet festivals in Sochi and Minsk.
He collaborated with conductors V. Fedoseev, J. Bashmet, A. Vedernikov, F. Korobov, V. Minin, V. Polyansky, G. Rozhdestvensky, V. Ponkin, T. Sokhiev, P. Sorokin, I. Beloglavek, J. Latham König, F. Louise, D. Gatti, G. Herbig, J. Judd, H. Henken, M. Pani, Z. Pesko, directors E. Nekrosius, R. Sturua, T. Chkheidze, F. Zambello, P. Convicts, R. Wilson, D. Chernyakov, T. Servillo, A. Sokurov, D. Pawnney, P. Mussbach.
Maxim Pasteur was twice nominated for the Golden Mask Award: for Shuisky's parties in Boris Godunov by M. Mussorgsky and Captain in Wozzeck by A. Berg. Laureate of the Irina Arkhipova Foundation Prize (2005). He was awarded the Gold Medal "National Treasure" (2007), has the Gratitude of the Minister of Culture of the Russian Federation "For Merits in the field of Culture" (2011), is the winner of the Moscow City Award in Literature and Art (2013).
Participated in records of performances of the Bolshoi Theater, concerts of the Moscow chamber choir, as well as disks of the Irina Arkhipova Foundation.

Ruslan Roziev - soloist of the State Academic Symphony Chapel of Russia, guest soloist of the State Academic Bolshoi Theater of Russia.
He was born in 1984 in Chardzhou (Turkmenistan). In 2002 he graduated from the piano department of Belgorod Music College. S. A. Degtyareva (teacher's class of LN Girzhanova). In 2002 - 2007 he studied at the Voronezh Academy of Arts at the solo singing department (class of teacher Amelin NN).
In 2007, he continued his education at the Center for Opera Singing under the direction of Galina Vishnevskaya, where she made her debut in the Monterone party in Verdi's opera Rigoletto.
Within the framework of the II Festival of master classes "Glory Maestro" he took part in the master class of Sheryl Milnes (USA). At the invitation of the maestro in August 2011, he trained at the Tampa Opera (Florida, USA).
Laureate of the 2nd Prize of the Orpheus Competition (Volgograd, 2006). The holder of the diploma for participation in the Gala-concert XXXV of the vocalists-graduates of musical universities of Russia (St. Petersburg, 2007). Laureate of the IV International Contest of Opera Artists Galina Vishnevskaya (Moscow, 2012).
Season 2010/11 - guest soloist OperaRoyaldeWallonie (Belgium, Liege) and the International Music Festival (Spain, Santander), season 2011/12 - guest soloist OperadeLyon (France, Lyon) and the International Music Festival (France, Aix-en-Provence), season 2012/13 - guest soloist Teatrodell OperadiRoma (Italy, Rome).
He successfully tours in Russia, America, Mexico, Lithuania, Spain, Czech Republic, Hungary, Belgium, France.
In the summer of 2011, with the State Oil Company of Russia, V. Polyansky took part in the premiere production of A. Tchaikovsky's opera The Legend of the City of Yelets, Virgin Mary and Tamerlane. He also performed the roles of the Marquise de Calatrava in Verdi's The Power of Destiny; Prince Nikolai Andreevich Bolkonsky, General Belyar in "War and Peace" by S. Prokofiev; party bass in Requiem Dvorak, "Solemn Mass" by L. van Beethoven, Requiem G. Verdi.
Also in the repertoire of the singer: Mephistopheles (Faust by S. Gounod), Boris Godunov, Varlaam, Pimen (Boris Godunov by M. Mussorgsky), Sparafucile, Monterone (Rigoletto by G. Verdi), Malyuta (Tsar's Bride H Rimsky-Korsakov), Esquamillo, Tsuniga (Carmen by J. Bizet), Marquis de Calatrava (The Power of Destiny by G. Verdi), Banco (Macbeth by Verdi), René, Bertrand (Iolanta P. Tchaikovsky), Gremin, Zaretsky, Rotny ("Eugene Onegin" by P. Tchaikovsky), Aleko ("Aleko" S. Rachmaninov), Father Frost ("The Snow Maiden" by N. Rimsky-Korsakov), Tsar Saltan ("The Tale of Tsar Saltan" N. Rimsky- Korsakov), Mr. Gobineau ("Medium" JK Menotti), Don Bartolo ("The Wedding of Figaro" by WA Mozart), Inquisitor ("Fiery Angel" S. Prokofiev), Priest ("Katerina Izmailova" D. Shostakovich ), Shvokhnev ("Players" D. Shostakovich).

Kirill Filin was born in 1977. Graduated with honors from the Academic Music School at the Moscow Conservatory (2002) and the Gnesins Russian Academy of Music (2007, class A. V. Mochalov).
The singer successfully participated three times in the all-Russian vocal competition of Bella voce in Moscow (1999 and 2000 - diplomas, 2002 - III prize). He is also a graduate of international competitions named after LP Aleksandrovskaya (2004, Minsk), II and III competitions of opera artists Galina Vishnevskaya (2008, 2010, Moscow); winner of the First All-Russian Open Contest of Vocalists Valentina Levko (2007, Moscow).
Kirill Filin is the soloist of the Moscow State Academic Chamber Music Theater named after BA Pokrovsky. In his repertoire of the Basilio Party ("The Barber of Seville" by G. Rossini), Antonio ("The Wedding of Figaro" by WA Mozart), Leporello, Commander, Mazetto ("Don Juan" by WA Mozart), Collen ("La bohème" "G. Puccini), Betto (" Gianni Schicchi "by G. Puccini), Philip II, Grand Inquisitor, Monk (Don Carlos J. Verdi), Monterone, Sparafucile (Rigoletto by G. Verdi), Boris, Pimen ( "Boris Godunov" by M.P. Mussorgsky), Sobakin (The Tsar's Bride by N. A. Rimsky-Korsakov), Farlaf, Svetozar ("Ruslan and Lyudmila" by M. I. Glinka), Gremin ("Eugene Onegin" P. I. Tchaikovsky), Kutuzo Marshal Davout (War and Peace by SS Prokofiev) and other roles, as well as opera arias and romances of Russian and foreign composers, folk songs.
Kirill Filin actively performs, collaborates with the State Academic Symphony Chapel of Russia under the leadership of Valery Polyansky, the foundation "Talents of the World", the People's Club of Russian Bass Fans and other concert organizations.

Oleg Polshkov was born in the city of Vladimir in 1988. At the age of 7 he began to study music, becoming a pupil of the Vladimir Choral Capella of Boys under the direction of EM Markin. In 2004 he entered the School of Music and Performing Mastery of the city of Vladimir. Since 2008, continued his studies at the Galina Vishnevskaya College (Moscow).
In 2013, the State Academic Symphony Chapel of Russia was recruited. In concerts of Goskapelli of Russia he sang as a soloist of the party in the following works: A. Schnittke's Requiem, R. Leonkavallo's La Boheme, J. Verdi's "Troubadour", P. Tchaikovsky's "Queen of Spades", "Count Luxembourg" and "Merry Widow" F. Lehar.

Irina Chistyakova (mezzo soprano) was born in Russia. Her repertoire includes Azucena in Il trovatore, Amneris in Aida, Eboli in Don Carlo, Ulrica in Un ballo in maschera (Verdi), Jezibaba in Rusalka, Bozhena in Vanda (Dvorak), Laura in La Gioconda (Ponchielli) and many others. She also performed in the USA, Belgium, Switzerland, Germany, Italy, Great-Britain, Ireland, France, Sweden, Spain and many other countries. This is her Israeli Opera debut.

Casts & Credits

Composer: Peter Tchaikovsky

Conductor: Vladimir Fedoseyev

Bass: Nikolay Didenko

Choir: Choir of the Choir Arts Academy

Orchestra: The State Tchaikovsky Symphony Orchestra

Soprano: Asmik Grigoryan

Tenor: Alexei Tatarintsev

Composer: Peter Tchaikovsky

Conductor: Vladimir Fedoseyev

Bass: Nikolay Didenko

Choir: Choir of the Choir Arts Academy

Orchestra: The State Tchaikovsky Symphony Orchestra

Soprano: Asmik Grigoryan

Tenor: Alexei Tatarintsev

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